Mordante,
Doug's advice is good, and I'd follow it. Know that the most mechanically "challenging" element of a setup is in achieving the correct geometry. This is where most people are intimidated.
Depending on your arm's other features, you may well be setting up azimuth. This is as much art as it is science. Here's where a good mentor (or the Fremer DVD) will help you.
Over the recent few years, Doug, myself, and others have become impressed with the importance of having a light touch with both tracking force adjustment and anti-skate.
By this, I mean (in the case of tracking force) applying just enough to avoid mistracking. Any more, will compromise dynamics.
The same holds true for anti-skate. Treat getting to this point as a refinement - after you've lived with your setup for a month or more (or until the itch strikes to explore).
VTA is certainly important, but if your arm doesn't have a fine adjustment for this, I wouldn't get too crazy about it. I'd try to get it right (eliminate sibilants), live with it for a while, and then mess with it some more.
If you have an MC cartridge and a phono stage with adjustable loading, it may take you a bit of time to recognize the difference between too high of a VTA setting and too high of a load.
The key is to be patient and treat this as a journey. Don't get totally hung up on the destination and enjoy each new discovery as you make it.
Cheers,
Thom @ Galibier
Doug's advice is good, and I'd follow it. Know that the most mechanically "challenging" element of a setup is in achieving the correct geometry. This is where most people are intimidated.
Depending on your arm's other features, you may well be setting up azimuth. This is as much art as it is science. Here's where a good mentor (or the Fremer DVD) will help you.
Over the recent few years, Doug, myself, and others have become impressed with the importance of having a light touch with both tracking force adjustment and anti-skate.
By this, I mean (in the case of tracking force) applying just enough to avoid mistracking. Any more, will compromise dynamics.
The same holds true for anti-skate. Treat getting to this point as a refinement - after you've lived with your setup for a month or more (or until the itch strikes to explore).
VTA is certainly important, but if your arm doesn't have a fine adjustment for this, I wouldn't get too crazy about it. I'd try to get it right (eliminate sibilants), live with it for a while, and then mess with it some more.
If you have an MC cartridge and a phono stage with adjustable loading, it may take you a bit of time to recognize the difference between too high of a VTA setting and too high of a load.
The key is to be patient and treat this as a journey. Don't get totally hung up on the destination and enjoy each new discovery as you make it.
Cheers,
Thom @ Galibier