"Cut from the original master tapes"


this is a phrase I see often when looking at new vinyl of old recordings. I always wonder if this is a good thing. I'm sure the tapes used are of a better quality than the 8 track, casette, or reel to reel tapes that I used but were they really of a quality that they would still be Quality today? Do they not lose their muster, so to speak, like everything that one deems to be from that period of time referred to as "In the day" (yours truly included)?
pkemery
It is not a sales pitch. The original reel-to-reel studio recordings are, generally speaking, superior in every regard. If there is deterioration in the original tape then specific areas will be re-recorded by computer from another part of the tape that is not damaged. For the most part, the recording companies kept the original tapes in climate controlled storage to ensure stability of the oxide. Many of the 1950's tapes are still in pristine condition. Playback is usually done on an Ampex 350/351 tape deck, or similar professional deck, which is the deck most recording studios used. Listening to the original tapes is like being at the recording session itself, though it may have been 50 years ago.
I always say Its a dull day when you don't learn something - I thank you all for your responses
Hi,
I'd go with most that's been said above, if not a little voice tells me:
How is it, that often more then one party claims they used THE master tape?!

And how about, that there often are 2 - 3 claims of being in possession of the master?

I have a notion, that those are 'secondary masters' cut from some original that's long gone. And in any way THE master is often a jumble of bit and pieces collected during a recording sessions. (Reading about how S.D. 'Katie Lied' was done gives some insights)

The politics of marketing must play the usual roll, because WHO is to disprove those claims: "Cut from the original master tapes" in the first place?

Greetings,
Axel
only 'one' disc is actually cut 'directly' from the original master tapes, and the term 'original master tapes' is almost never spelled out. if it sounds good, it doesn't matter.
I think it is possible to have more than one Master. This is achieved simply by sending the signal from the console to more than one tape machine simultaneously. Each of these Masters would theoretically have identical sound quality as long as identical tape machines with identical set up were used. Each of these tapes would correctly be labeled first generation.