Graham Phantom vs. Phantom II


Hi, I own the Phantom and think about getting the Phantom II.
It is quite rare, but is someone out who did the change from one to the other?
When yes, may I ask, what do you think about the sonic differences. Some say there are none but I think from technical paper there are...

Thanks
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I never owned an original Phantom. I had a 1.5t for 16 years, but recently broke down and ordered a Phantom Mk ii. I exchanged e-mails with Bob Graham during the process. There is no Mk iii.

Here's what I learned: When original Phantom came out, Bob indicated that he continued to tweak things and over time this got to the point that enough had changed to warrant the Mk ii designation. A few posts mention these changes accurately.

After the Mk ii was officially released, Bob indicated he still continually tweaked things - it is in his nature. This included the bubble level, a screw tap to mount the bubble level and a few other "minor" tweaks he thought of along the way. Certainly nothing to warrant Mk iii.

I bought mine from a dealer that is heavy into analog and sells a bit of Graham - relatively speaking. He shipped my Phantom Mk ii back to Graham for an "upgrade" to include the last few "minor" tweaks, but they are very minor and it probably was a waste of shipping.

That's what I know.
Flyfish, like you I have owned the 1.5T for a long time (18yrs) but finally cracked and got a Phantom 2.
I don't think you'll find the 'micropoise' level a waste of shipping. I find it a really handy feature - and yes, you wonder why no-one else has thought of putting this on an arm before.
I've only just installed the P2, and have very little listening/tweaking time, but already I'm thrilled with the gains over the (very respectable) 1.5T. Everyone talks about the bass improvement, but the increased clarity, presence, sound-space, air and dynamic ease are immediately apparent.
Enjoy!
I agree that the micropoise is a good idea, but I wonder why Bob didn't put it on the bearing cap so that you could level across all angles. THAT would have been far more valuable.
Because the main cylinder is moving on one plane when you set the azymuth with the magneglide, mine is leaning left side to have the right azymuth. Micropoise is a help for VTA to have armwand parallel to the record.
After using the Phantom II for some time now, I would like to say, it fascinates me more and more. I guess it is based on the new Armtube (probably on the new wire but this i can not check) and it is a excellent match with the Lyra systems. They are designed to move a lot of their energy into the arm and the better that one is (Bearing etc.) the more subtle details are offered, they are not "smeared" like with other Arms (in comparison). Another miracle for me, with that Arm the Lyras show a kind of "musicality" which is really rare to get. Seems, those Lyras have a very high limit which is not available for every Arm. The high frequencies are not sharp like most users write, they have a effortless speed with a holographic 3-dimensional body. I had a lot of carts, but they can show a killer performance. Even with VERY complex music (Spanish Flamenco) I can follow every instrument sharply in focus. We will see what goes on but I bet, this will be one of the great Arms when out of production.