Eldartford,
you mentioned the cutting lathe and applied (inverse) RIAA.
I would like to know about % deviation found with well regarded 'commercial' phono-pres (not boutique audio).
Looking at the few test graph showings in audiophiles measurements --- "With all this going on, extreme accuracy of the RIAA equalization seems unnecessary to me." --- it seems some more manufacturer sharing this opinion.
We all know that accuracy will be nice to have in deed, but is it THE prime design parameter I seem to hear it is? Aren't there other much more important ones?
In other words: will it render another product much inferior just because it does not go to the ultimate in this RIAA matter?
Again, (yes, my system sux) listening to my 390S CD and then to the same on LP, I can hear NO colouration with a +/- 1% spec. We also know there are units out there with more than 1% deviation (and not too cheap either).
you mentioned the cutting lathe and applied (inverse) RIAA.
I would like to know about % deviation found with well regarded 'commercial' phono-pres (not boutique audio).
Looking at the few test graph showings in audiophiles measurements --- "With all this going on, extreme accuracy of the RIAA equalization seems unnecessary to me." --- it seems some more manufacturer sharing this opinion.
We all know that accuracy will be nice to have in deed, but is it THE prime design parameter I seem to hear it is? Aren't there other much more important ones?
In other words: will it render another product much inferior just because it does not go to the ultimate in this RIAA matter?
Again, (yes, my system sux) listening to my 390S CD and then to the same on LP, I can hear NO colouration with a +/- 1% spec. We also know there are units out there with more than 1% deviation (and not too cheap either).