Day 5 Preliminary, totally non-scientific evaluation of file types and quick
A/B with Sony ModWright 5400.
I began with listening to the free download from Hyperion of the recent
Takacs quartet recording of the adagio from the Brahms G major quintet.
This is a 24 bit 96K flac file. I don’t own the recording (yet) but I was
interested in giving it a listen, thinking it might provide an interesting
comparison to the fairly recent Takacs recordings of Schubert and Haydn
quartets, which I do own in redbook CD. I heard the Takacs perform the
Bartok 2nd, 4th, and 6th quartets last Wednesday night, so there is a recent
live reference of the ensemble in memory. I transferred the Schubert Death
and the Maiden In ALAC and the Haydn Op 74 quartets in wav. I know, I
know, this is a completely bogus comparison, but at least it is the same
ensemble on the same label, so take this for what it is worth, which isn’t
much. In terms of sound quality, I preferred the WAV with the DSEE turned on
to ALAC and flac. Tomorrow, I’m going to see if I can transfer wav and ALAC
files of the same recording and do a more legitimate A/B on those 2 file types.
iTunes doesn’t give me the flac option, so that might end up being another
little project figuring out how to get a flac copy. Also tomorrow, I’m going to
try some A/Bs on file types with some Mahler 3.
What has more value, I think, was the A/B of the Haydn quartets using the
Haydn wav file on the HAPZ1 with the redbook CD played back through the
ModWright Sony 5400. What is immediately obvious is that the output of the
HAPZ1 is lower than the 5400. I had to turn the preamp volume knob down
2-3 steps to approximately match volume from the 2 players. At a high
level, I would say the 5400 had a bit more full bodied sound, and a bit more
oomph on low cello strings. But I thought the HAPZ1 was really more faithful
to Andras Fejer’s cello. There were a few instances where the low strings were
a bit muddled with the 5400, where they were not with the HAPZ1. There was
also maybe just a bit more sweetness in the violins with the HAPZ1. I don’t
think one can make a valid choice between the two based on one recording,
but the fact that the stock HAPZ1 can do this well, with less than 25 hours
burn in, is more than I expected.