Dear friends: I just have a very good experience that confirm the necessity to have this " common ground " by ourself.
Making a small change in our tonearm design I test the " old " prototype against the " new " with that small change on it. As always I made it with my " common ground " recordings/tracks, the change was so " tiny " that after the Janis Ian recordings everything the same ( at least I can't detect differences in the performance. ) but when I run the Eagles one at the very first stroke on the percussion the " difference " comes alive, I run the Patricia Barber where there were almost no diffrence.
I'm talking here of very tiny changes that fortunately for me I can dettect through that " common ground " recordings. It is not only to have a high resolution audio system with a near perfect set up but to have the software and to know what looking for.
Regards and enjoy the music,
Raul.
Making a small change in our tonearm design I test the " old " prototype against the " new " with that small change on it. As always I made it with my " common ground " recordings/tracks, the change was so " tiny " that after the Janis Ian recordings everything the same ( at least I can't detect differences in the performance. ) but when I run the Eagles one at the very first stroke on the percussion the " difference " comes alive, I run the Patricia Barber where there were almost no diffrence.
I'm talking here of very tiny changes that fortunately for me I can dettect through that " common ground " recordings. It is not only to have a high resolution audio system with a near perfect set up but to have the software and to know what looking for.
Regards and enjoy the music,
Raul.