Dear Nandric, I was associated with DAS OHR for a short while 25 years back.
Götz Wilimzig was/is highly subjective in his reviews - Klaus never was and had a much wider knowledge regarding reproduced sound and its interrelations in an audio chain.
The effective moving mass of the FR-64s san headshell is about 14.5 gr.
With an Orsonic the FR-64s is pretty "universal".
It outperforms the FR-64fx buy a good margin providing clearer and more solid bass and - most important - the impression of "true physical weight" in the reproduced sound (something I am missing EVERYWHERE except in FR-7x/FR-64/66s-combos and good reel-to-reel machines with 2-track tapes).
Others may prefer the FR-64fx above the FR-64s in certain set-ups or with certain cartridges - fine, a great opportunity to buy the FR-64s from them.
I have never heard the FR-64fx with any cartridge bettering the stainless steel brother.
You will even get outstanding sonic results with a Shure V15mk4 - 5 or MR mounted on the FR-64s in an Orsonic.
In my point of view the FR-64s would still be today a contender for the very top-end in tonearm design.
I have heard pretty much all - precisely set-up according to the geometry I have laid out in earlier threads I have heard no better (safe for its big brother in 2 areas).
I know that many others have - good for them, fine with me.
Cheers,
D.
Götz Wilimzig was/is highly subjective in his reviews - Klaus never was and had a much wider knowledge regarding reproduced sound and its interrelations in an audio chain.
The effective moving mass of the FR-64s san headshell is about 14.5 gr.
With an Orsonic the FR-64s is pretty "universal".
It outperforms the FR-64fx buy a good margin providing clearer and more solid bass and - most important - the impression of "true physical weight" in the reproduced sound (something I am missing EVERYWHERE except in FR-7x/FR-64/66s-combos and good reel-to-reel machines with 2-track tapes).
Others may prefer the FR-64fx above the FR-64s in certain set-ups or with certain cartridges - fine, a great opportunity to buy the FR-64s from them.
I have never heard the FR-64fx with any cartridge bettering the stainless steel brother.
You will even get outstanding sonic results with a Shure V15mk4 - 5 or MR mounted on the FR-64s in an Orsonic.
In my point of view the FR-64s would still be today a contender for the very top-end in tonearm design.
I have heard pretty much all - precisely set-up according to the geometry I have laid out in earlier threads I have heard no better (safe for its big brother in 2 areas).
I know that many others have - good for them, fine with me.
Cheers,
D.