Da Vinci AAS Gabriel


Hi,
I read the TAS review of this USD60K tt. Has any audiogoner out there any first hand experience with this tt and can share opinions? I currently use the TW Acustic Raven AC3 tt with the Davinci arm and cartridge. Wondering if it is worthwhile at all to switch to the AAS Gabriel tt.
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Dgad, that is not true. I bash nothing. I listened to that table more than a dozen times and there are differences between it and others. It is a discussion like everything else (cartridges etc.).
I can understand, when someone thinks about a change. Why not? Is it a religion? I am sorry, that I am not one of those, who support the internet sales based on private contacts to a manufacturer. I don't have such contacts. I am a regular customer who gets all from Dealers, not from direct delivery from manufacturer like you.
I am fine, when you can't hear differences, but please don't badmouth me.
I have heard different versions of the DaVinci AAS Gabriel. The new Gabriel uses bigger magnetic platters. I have heard the new version with a Grandezza arm and a Zyx UNIverse. In my opinion it is one of the Top-TTs currently available. I think the Raven if powered by a very good drive is a fine machine too (so why should you sell) but the big DaVinci is somehow also a design object, especially if you position more tonearm stands around the table. Regarding the prices of Gabriel and the new Raven ???
I have listened to this TT (with a C/audio cartridge). It offered a beautiful musical experience, and even hitherto noisy material sounded clear.
Whether you should switch to an AAS or not -- I don't know. If there's nothing wrong with your music, why not just stick to what you have? Perhaps upgrade your cartridge? Your phono?
Regards
Syntax,

Do I need to quote you above? And then you make a statement that you bash nothing. Every thread that mentions TW, you have to stick in your comment. Many of us on this forum and quite a few other forums know you have a grudge, but to put it forth repeatedly is unprofessional and poor.

I have never promoted any equipment beyond my personal experience, and even as such I keep it in a very kind tone. I have compared the Raven AC to a much less expensive turntable and have clearly characterized the differences as I heard them in my system. I have not ever criticized any other turntable, even though I have a good friendship with TW.

I also haven't tried to hide myself by changing my user name, and system page so that others might not identify me. And, isn't it clearly against Audiogon rules to change your user name. I wonder for what purpose this was done.

On to the subject of turntables, I will gladly give an honest account of my impressions of the Black Night shortly. It will be in context of my system in comparison to digital as the Raven is no longer with me. I honestly don't know anyone who can honestly compare 2 turntables in an absolute equal setup. There are so many limitations and the only way would be to do the comparison over time. I have learned that no 2 of the same cartridges sound 100% the same. But I can say that having no vinyl in my system for quite a long time now has been extremely depressing. As for the Da Vinci table, it might be very good. One thing I have learned the hard way is the equipment merry go round can often lead to dissappointment. Before my Raven flew away (loved to make that pun), I had 2 of my cartridges locked in perfect setup. I hope I can duplicate it again. Thank g-d for the Wally Tractor as that does help a lot.

I was against a change purely on the difficultly in duplicating the setup the next time around. But then the Black Night has a few design parameters that more than tempted me. In the end I buckled.
Alectiong,

Not sure what your system is, but for any turntable my first recommendation is before changing any turntable make sure to experiment with proper isolation to realize what you have. This upgrade alone is not subtle and IMO will be your biggest ROI. Even if you get the Da Vinci in the future you will need isolation. As the tonearm needs to be isolated, not just the platter. This of course depends on your room/setup. I honestly believe the "super turntables" out there have obtained their status by including mechanical isolation in their design. Comparing 2 turntables in the same setup where one is an isolated design and the other isn't will show significant differences if the overall isolation of the non-suspended design is poor and will quickly be reflected in the sound.