How to Increase Turntable Height on High WAF Rack

Is it possible to put your rig on the bottom shelf? That is how I have mine set up and I really like sitting on the floor to put on vinyl. It's comfortable (stable)to brush the record, drop the needle, hit it with the Onzow etc.

Srwooten:

Bottom shelf is not an option for me. Because of other gear, too tight L-C-R, and because I will need a Gingko Claravu acrylic cover, not enough vertical clearance to lift and remove the cover.

At this point I am leaning toward a wood-based elevation system, either from Box or Timbernation.

Does anyone have any recommendations for other companies besides Box and Timbernation for a wood elevation/isolation system?

Thanks again for all of the responses so far!

I heard that Ayre/DPS turntable in Feb. at a local high end store's dealer open house. Its overall presentation reminds me a lot of a 3x as expensive SME rig.

Johnnyb53:

Thanks for your comment. And I agree. IMHO, I found the Ayre/DPS overall to be pretty even with the top of the line SME and the top of the line Spiral Groove.

The auditioning I did of the Ayre/DPS was with the standard tonearm that the Ayre/DPS comes with. You/others may already know this but if not . . .

. . . William Bauer of DPS takes a stock Rega 250 tonearm, guts it, HIGHLY modifies it, and that is the tonearm that comes with the table. So it was intriguing/startling to me that the Ayre/DPS with an obviously modest tonearm compared so favorably with the SME and SG, both of which were set up with far, far better tonearms (insofar as $ directly translates into better performance, which we all know is not always the case). I considered but decided against having the Ayre/DPS prepped for a better tonearm since it already sounds so great with the standard tonearm. I can always switch to another tonearm down the road. The one that is most interesting to me at this point is not yet commercially available. According to Don Better, Mr. Bauer is developing his own tonearm for the Ayre/DPS. When it becomes available, those who purchased the Ayre/DPS with the basic modified Rega 250 tonearm can get 100 percent of their money back for that tonearm against the purchase of Mr. Bauer's new tonearm. The cutout requirement for his new tonearm will be exactly the same as for the modified Rega 250, so it will essentially be plug and play. I definitely plan to audition his new tonearm when it comes out.

Of course, and now getting back to the original thread topic, I still don't know if I will be kneeling, bending, whatever in front of the Ayre/DPS when I use it! ;->

My wife has suggested genuflecting (sp?) and offering alms before each use.

Sigh . . .

I knew from the open house that the std. arm on the Ayre/DPS is a modified RB250. I was mightily impressed. At the previous year's open house I had heard a SME 30 with Series V tonearm, and it was remarkable how much the Ayre/DPS had that same surefooted, yet deeply natural and relaxed presentation. Very involving and musical. I don't know how they wring that much performance from an RB250, but as you said, I saw no reason to look further.

They were demoing with a Lyra Helikon. Excellent match. Most of the open house was featuring digital sources, including some 24/96, which is significantly better than Redbook. Yet, there was a group of us that huddled in the Ayre room spinning vinyl until the open house closed down. That Ayre/DPS is really hard to turn off! And we weren't just listening to 180g audiophile re-pressings. We had a lot of fun listening to some of those $10 Original Jazz Classics as well.