Suggested entry path into vinyl...


...if cost is not a major constraining factor (within limits :-)). I guess my question is do experienced vinyl enthusiasts recommend starting with a "entry-level" analog set up and tweaking and upgrading over time to maximize one's learning of what one likes by sampling different tt/tonearm/cartridge/phono setups (as well as learning how to correctly set-up and handle tts and associated gear on less expensive equipment), or would you just buy a more "evolved" (and likely more expensive) setup at the outset that you have heard within the context of the rest of your playback system and that you like the sound of (but perhaps make expensive mistakes on that gear). I am deliberately staying away from specific examples to get at folks' opinions/recommendations about the approaches. Thanks for your thoughts in advance.
cmalak
did i miss something? where is it listed $2000 budget? is that a complete set up? if that is the plan there really is no plan and i humbley apologize for the miss understanding. as i said used is def the way to start, but $2000 budget, basaeball cards and comic books maybe, but not vinyl.
Another benefit of vinyl is you will hear what your system is capable of. As good as your system sounded to you before with CD's you will hear so much more. The first touch of the stylus and the first notes from the speakers and you'll know it was worth all the work improving your system so you could enjoy this quality of sound, digital's limitations will become instantly apparent. Those that have spent more than $10,000 on digital MMV but I've heard the Scarlatti and the vinyl rig in the same system was...well "better"!
I disagree Koegz, even at just over $2k, you can get a new Rega P5, a used Graham Slee Gram SE, and a VPI 16.5. Two grand is more than enough to get your feet wet. Jump in and enjoy the music. Buy the albums you like and even some you have never heard about. The journey is about the music not about the gear.
Thank you all for your comments. It has been very helpful hearing folks different perspectives. And I realize that the vinyl vs. digital debate can escalate to an all out smackdown among Agoners/audiophiles. I guess I never owned a vinyl rig (pre-teen in the 1970s) and so I grew up on the digital sound and while I am acclimated to that sound, I have grown to learn and appreciate what digital does well and what it does not do as well over the past 3-4 years which is when i started down this crazy audiophile journey and as my playback system has improved over this time. I recognize that this may still turn out to be an exercise in futility as I may decide that I do not want to deal with all the "headaches" for some and "rituals" for others that comes with optimizing vinyl playback, or I may not be able to look past the surface level clicks and pops that is endemic to the format (even with the most assiduous cleaning systems/rituals). I get all that. But I guess this is what the quest for "better" sound reproduction is all about and that is why I wanted to ask peoples' opinions about the best approach to entering vinyl as opposed to specific equipment recommendations (of which there are many threads on Agon).

Having said that, on the equipment side of things, one of the things that is clearly more complicated in evaluating vinyl playback is the whole issue of component matching (table, tonearm, cartridge, phono, and phono cable) and how to compare among different vinyl rigs. This may make auditioning different vinyl rigs at local dealers a bit meaningless because a vinyl rig one auditions will be a function of whatever set-up is being used at a particular dealer (i.e., you could hear Brand A turntable at dealer X and you can walk away unimpressed with that audition for whatever reason and you will write off that Brand A tt when in fact it could have been a poorly matched cartridge to that tonearm or poorly matched cartridge to the phono stage being used, etc...). The dilemma of having so many variables that determine what the overall vinyl rig sounds makes the auditioning process kind of a hit or miss proposition. Any thoughts on how to try to adjust for this in the auditioning process, or is it just the nature of the beast and one has to rely on the dealers matching components to show off the best capabilities of whatever rigs they have on display? I don't know if I was clear on that but your thoughts would be very appreciated. Thanks.
T_Bone You forgot the countless hours glued to your seat listening to great music... with none of that listener fatigue!

Cmalak If you want to spend a little less in the beginning try a top MM cartridge that you can get for around $ 500, if you want to get good quality from a recognized MC you will need to spend well over $ 1k plus a better phono stage...JMHO
MM is easier on the tone arm and on the phono stage.

Later on you can get an SV1 or a colibri....