Dear Dgob: +++++ " I might send my spare (G5) to Raul for audition at some future point... " +++++
Thank you for your kindness, appreciate.
Right now I'm waiting the Top of the line Glanz in 1/2" mount design. As you know I'm against vintage cartridge/headshell integrated designs due that the internal headshell wires and clips/connectors after 30+ years are not the best we can have ( you already know that the headshell wires always makes a " difference " for the better or bad/wrong in cartridge overall quality performance. ) and IMHO a distortions source, that we need the right tonearm to make the right set up, that if I need a tiny change on the offset angle I can't do it and even many times these kind of cartridge designs does not permit azymuth changes.
So there are many limitations that IMHO are against the cartridge and because of that could be unfair to compare against cartridges that does not has those kind of set up limitations.
That's why too I left 4-5 opportunities on the Technics 100C till I find a non cartridge/headshell integrated design: fortunately I found it.
As we know Glanz and Astatic share the same kind of cartridge design. I like the Astatic's I own: 100, 200 and 300MF models and that's and your post on Glanz makes me that I want to search about but in even/fair cartridge conditions with the Astatic and other cartridge different designs. We shall see when I test it, I don't want to speculate about.
Btw, you say that your Glanz cartridge set up ( geometry ) is out of target and that you can't hear distortions, well you don't have a real reference about when you can't know how that cartridge perform with the right set up.
Anyway I will report on the MM/MI thread ( like always. ) on my Glanz when I put my hands on it.
Btw, I think that you and your friends are not the only guys out there that have live music as reference.
In the other side: +++ exceed the Audiogon norms. +++, this statement on level quality capacity of what you and your friends " hear/heard " is something that IMHO has no precise foundation.
I think that here on Agon and elsewhere there are a lot of audio people that are not only " competitive " but better on the subject than you, your friends and me: such is life!
Regards and enjoy the music,
Raul.
Thank you for your kindness, appreciate.
Right now I'm waiting the Top of the line Glanz in 1/2" mount design. As you know I'm against vintage cartridge/headshell integrated designs due that the internal headshell wires and clips/connectors after 30+ years are not the best we can have ( you already know that the headshell wires always makes a " difference " for the better or bad/wrong in cartridge overall quality performance. ) and IMHO a distortions source, that we need the right tonearm to make the right set up, that if I need a tiny change on the offset angle I can't do it and even many times these kind of cartridge designs does not permit azymuth changes.
So there are many limitations that IMHO are against the cartridge and because of that could be unfair to compare against cartridges that does not has those kind of set up limitations.
That's why too I left 4-5 opportunities on the Technics 100C till I find a non cartridge/headshell integrated design: fortunately I found it.
As we know Glanz and Astatic share the same kind of cartridge design. I like the Astatic's I own: 100, 200 and 300MF models and that's and your post on Glanz makes me that I want to search about but in even/fair cartridge conditions with the Astatic and other cartridge different designs. We shall see when I test it, I don't want to speculate about.
Btw, you say that your Glanz cartridge set up ( geometry ) is out of target and that you can't hear distortions, well you don't have a real reference about when you can't know how that cartridge perform with the right set up.
Anyway I will report on the MM/MI thread ( like always. ) on my Glanz when I put my hands on it.
Btw, I think that you and your friends are not the only guys out there that have live music as reference.
In the other side: +++ exceed the Audiogon norms. +++, this statement on level quality capacity of what you and your friends " hear/heard " is something that IMHO has no precise foundation.
I think that here on Agon and elsewhere there are a lot of audio people that are not only " competitive " but better on the subject than you, your friends and me: such is life!
Regards and enjoy the music,
Raul.