What is the chain of importance in analog system ?

Everyones opinion here deserves consideration.For once a thread with over 20 posts and not one argument.There is hope for us yet.Now to the question:
I feel that in order to hear what is possible with a great analog front end (turntable,tonearm,cartridge)it must be played though a top flight Phono Stage.
Therefore for me its
Phono Stage
Arm /Cartridge
Turntable
Of course along with your preamp,amp,speakers and wires,
your room and ears must be up to the task.
In other words everything is as important as the component it is connected to.

Remember many phono stages require matching to the cartridge in use. This can include gain, load (if fixed or not), SUT gain & impedance matching, and in some cases tube or SS in design. I just don't think we can separate everything. If you upgrade one component then you must make sure whatever you replace it with is synergistic with the remainder of your system.

Excellent thread. Clearly, all the components of an analogue system are important. But, I think it is an inescapable truth that speed stability is essential for good analogue playback. It is with good speed stability that the most basic elements of music can be reproduced correctly. Without it, no amount of any other kind of resolution will let you hear things like groove, feel, and expression in a performance, the way that the performers intended. Rhythm is THE most important element in music.

So, in absolute terms, the turntable has to be the most important.

The most musical system that I have heard so far was an SME/MIT/Magico dealer demo. The front end was an SME 10 tt with the stock 309 arm, stock tonearm cable, a $600 Dynavector cartridge and no special isolation. The phono stage was the top Nagra VPS? Electronics were mid-level Spectral and the speakers were Magico's least expensive V2. I concluded from this listening session that system synergy is of primary importance and that the tonearm cable, an expensive cartridge and exotic isolation were not critical to a truly musical experience. One month later, I went to hear the system again and to confirm my impressions of the speakers which I am considering buying. However, this time the dealer had replaced the $600 cartridge with one costing $3,500. To my surprise, the magic was completely gone.

I am also struck by how different (and less musical) my system sounds, given that it has a similar vinyl front end, SS electronics and dynamic speakers.

It can be tempting to think of a chain of importance for a vinyl front end or for the system as a whole, but I am coming around to thinking that it really comes down to how carefully components are selected to work with each other and within the context of a given system and room. Everything seems important except the cost of components.

so around the middle of the thread, Nolitan (the OP) decided to take his conceptual question of how to prioritize where to spend in the analog chain, to seeking out specific recommendations of a well-matched, synergistic analog playback system for $5k-$8K:

"thanks for the input guys. So, if we are to put this in reality, maybe you guys can suggest some good combos to start with based on the theories and experiences you guys have. maybe a tt system w/ cart, table, arm, phono stage and tonearm cabling for $5000-$8,000.
Ex: Lyra Dorian-> VPI Classic with original tonearm-> modwright phono stage-> nordost tonearm cabling.
this is getting interesting."

For folks shopping for an analog rig who have not had the experience of trial and error with prior systems, getting recommendations on what tt/tonearm/cart/phono combos work well together is super useful. it sounds like Nolitan is considering the VPI Classic and is looking for synergistic cart and phono suggestions but is also open to other combos in the $5k-$8K range. Any suggestions?