Dev,
Effective cleaning before the LP's first play is indeed essential, both for best/quietest sound and for the longevity of the LP, whether new or used.
The stylus of a phono cartridge, depending on the model, may have a contact radius as small as 3-4 microns. As the groove spins along the stylus is deflected by obstacles too small to see without an electron microscope. The cartridge doesn't know whether any particular deflection was caused by a groove modulation ("music") or some speck of crud ("noise"), it generates a signal regardless. Quiet backgrounds require eliminating those specks of crud.
Non-solid contaminates like pressing mold release agents or lubricants like Gruv Glide also degrade the signal. They may make the background quieter by lubricating some of the microscopic specks, but it's a false quiet because that lubrication also prevents the stylus from seeing small groove modulations. Assuming a sufficiently resolving system, the sonic result is an attenuation of HF's (modulations of small wavelength) and low level details (modulations of small amplitude). Accurate reproduction of everything cut into the groove requires the removal of everything between stylus and vinyl before you play.
Regarding LP longevity, as Jaybo mentioned it takes an effort. Always remember that you're sliding a microscopic plastic groove beneath an extremely sharp diamond - under pressure. Any hard particulates will be scraped between plastic and diamond. Care to guess which surface loses? (Actually the answer is "both", but that's another topic.)
Play a dirty record even once and you've surely damaged it. The only question is, "How much damage and is my system good enough to detect it?"
Effective cleaning before the LP's first play is indeed essential, both for best/quietest sound and for the longevity of the LP, whether new or used.
The stylus of a phono cartridge, depending on the model, may have a contact radius as small as 3-4 microns. As the groove spins along the stylus is deflected by obstacles too small to see without an electron microscope. The cartridge doesn't know whether any particular deflection was caused by a groove modulation ("music") or some speck of crud ("noise"), it generates a signal regardless. Quiet backgrounds require eliminating those specks of crud.
Non-solid contaminates like pressing mold release agents or lubricants like Gruv Glide also degrade the signal. They may make the background quieter by lubricating some of the microscopic specks, but it's a false quiet because that lubrication also prevents the stylus from seeing small groove modulations. Assuming a sufficiently resolving system, the sonic result is an attenuation of HF's (modulations of small wavelength) and low level details (modulations of small amplitude). Accurate reproduction of everything cut into the groove requires the removal of everything between stylus and vinyl before you play.
Regarding LP longevity, as Jaybo mentioned it takes an effort. Always remember that you're sliding a microscopic plastic groove beneath an extremely sharp diamond - under pressure. Any hard particulates will be scraped between plastic and diamond. Care to guess which surface loses? (Actually the answer is "both", but that's another topic.)
Play a dirty record even once and you've surely damaged it. The only question is, "How much damage and is my system good enough to detect it?"