I have listened to all three on the Mira and you can definitely tell the difference between the them with that amp and speaker combination. I have three older belt drive turntables at home from the 70's and 80's and I could only justify the outlay of cash for the P3 based on what I heard - the P3 starts to hint at what vinyl can do, and provides a solid foundation for the future. Yes, the P2 is modifiable (as is the P3), but if you are going to go that route, buy a used P2 that has already been modded. If you are concerned about price and your future commitment to vinyl, try something used like a nice direct drive Technics to test the waters instead of the P1. If you feel like jumping in with both feet - get a new P3 - you wont regret it.
P1,2,3: the best Rega for the job
Of the P1,P2,and P3-24, can anyone offer any thoughts other than to get the most expensive one that a person can afford? Or is there applications in which each could be the best answer? For instance, I have a Mira 3 and GMA Europas. I want to try vinyl (again - didn't fall in love with the Pro-ject or the Technics) and probably won't amass more than 30 records in the next year (no used stuff 'round these parts). I listen to stuff like Lyle Lovett, Wilco, Feist, Phish, but no classical. Could the P1 be "good enough" to let me give vinyl a chance? Is there really a reason for the P2? I'd be inclined to either save with a P1 or splurge the P3 and call it done, but maybe it represents the elusive happy medium. Or does the P3 outclass the Mira's phonostage? My current thought is to try a P1 with a glass platter and "maybe" put a 2M red on it. But that gets close to the price of a P2 with the Bias installed... which isn't that far, in audiophile dollars, from a P3. Hence my dilemna. Thanks to all for your thoughts and Merry Christmas.
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- 12 posts total
- 12 posts total