You need to consider what price level your system can support to justify the expense and then research that price-point. I would stay away from a "shibata" as this design will eat up your vinyl since it has 2 sharp longitudinal edges, one on either side that literally "scrape" the groove. Set up right they're the best, however at the expense of the record. The apparatus used to align the cartridge is so simple, you could easily make one out of cardboard. You need a roughly 4x5in. piece. Press a hole for. the spindle with a pen or pencil, a little too small. Now push it onto the spindle to the mat. Draw a line out from the exact center of the spindle to the outer edge of the cardboard. Now make a mark on that line at the half-way point of tone-arm travel ie: half-way between the spindle and the outer edge of a record. Puncture that point with a needle for the stylus to fall into. Draw a grid parallel and perpendicular to your original line, surrounding the spot you punctured. Install your cartridge so that it is just snug, loose enough to move it around. With the stylus in the hole the body of the cartridge must be aligned with the grid. This is trial and error. Don't try to align it with the stylus sitting in the hole, but simply take note of it's relative location, lift it, move it, and set it back down again and so on till it's in place. Now tighten the screws- firmly- 1/4 turn after snug. Be extremely precise as the retrieval of information depends on it. This coupled with precise rake-angle will yield very linear life-like sound. Granted your anti-skate adjustment must also be precise. I would do this by listening if possible.
what cartridge?
I am relatively new to returning to vinyl. I was lucky enough to purchase a Music Hall mmf-7 here on audiogon several months ago in great condition at a great price with a goldring eroica H installed. Unfortunately, I broke the cantilever a couple days ago and am already missing my daily vinyl "fix." Complicating matters (other than my obsessiveness) is the divergence of information I get from different sources. Salespeople at even the most rputable of sources seem to have their own agenda - N*********** pushes Ortofon, G**** pushed Benz, A**** A****** pushes clearaudio, etc giving me the feeling perhaps that the mark-up may be different at the different vendors - or perhaps I am just skeptical?
In any case, I am getting a headache trying to sort out my best options and look to you all, who have served me well thus far in my audio journey, to help navigate.
My current system:
Music Hall mmf-7
Jolida JD9 phono pre-amp (which I love)
Benchmark DAC1pre
Parasound Halo A21 power amp (occasionally switched out with my Jolida 302 tube integrated)
Snell b minor speakers (of which I have become quite fond)
Options thus far considered:
Trade in damaged Goldring Eroica for either another H or, more likely LX (either would be new - $288)
Repair Goldring through soundsmith ($150 - $350 depending upon repair/mod)
AT95E with a "Shibata" tip ($130) which I have heard will strongly resemble the clearaudio virtuoso (of course without the wood body) due to the fact that the virtuoso body is based upon the AT95 body.
Clearaudio virtuoso (around $450 used)
Benz line - I have looked at all from the Micro MC-20e2-L ($215) to the Glider-S ($600 factory rebuilt) The lower priced MC20e2 is intriguing not only because of its price but because of some of the wonderful reviews.
Currently, I am leaning toward the AT150MLX because of a couple raving (and seemingly objective) reviews and its impressive specs at the price point ($300 with boron cantilever and microline stylus)
I am willing to pay up to $600 or so - but see no reason to pay that much if there is not a significant bump in quality.
I listen to all music (except rap, "easy listening" or country) but primarily jazz and classical. A rich tone, clarity, dynamic range and a wide soundstage are thus important to me.
Thanks for your help!! I look forward to your responses,
A new "vinyl junkie".
In any case, I am getting a headache trying to sort out my best options and look to you all, who have served me well thus far in my audio journey, to help navigate.
My current system:
Music Hall mmf-7
Jolida JD9 phono pre-amp (which I love)
Benchmark DAC1pre
Parasound Halo A21 power amp (occasionally switched out with my Jolida 302 tube integrated)
Snell b minor speakers (of which I have become quite fond)
Options thus far considered:
Trade in damaged Goldring Eroica for either another H or, more likely LX (either would be new - $288)
Repair Goldring through soundsmith ($150 - $350 depending upon repair/mod)
AT95E with a "Shibata" tip ($130) which I have heard will strongly resemble the clearaudio virtuoso (of course without the wood body) due to the fact that the virtuoso body is based upon the AT95 body.
Clearaudio virtuoso (around $450 used)
Benz line - I have looked at all from the Micro MC-20e2-L ($215) to the Glider-S ($600 factory rebuilt) The lower priced MC20e2 is intriguing not only because of its price but because of some of the wonderful reviews.
Currently, I am leaning toward the AT150MLX because of a couple raving (and seemingly objective) reviews and its impressive specs at the price point ($300 with boron cantilever and microline stylus)
I am willing to pay up to $600 or so - but see no reason to pay that much if there is not a significant bump in quality.
I listen to all music (except rap, "easy listening" or country) but primarily jazz and classical. A rich tone, clarity, dynamic range and a wide soundstage are thus important to me.
Thanks for your help!! I look forward to your responses,
A new "vinyl junkie".
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- 16 posts total
- 16 posts total