mmmmm. Sounds interesting.
A non-TW and non-Audio Origami dealer has just told me to look at the Audio Origami PU7 and get that 'special' in a 10.5". He had a chance to hear both on a TW Raven AC and said the PU7 sounded far more convincing, better LF and more dynamic. The build of the PU7 isn't upto the precise Germanic workmanship, but then in sound terms it seems at this stage a better buy.
I've yet to see a PU7 in the flesh. I've seen but not heard the TW tonearm - it does cost. If it sounds as good as the Graham Phantom then the 12" Ortofon is also looking like a REAL bargain as Thomas says the RS309D is about 95% of the Phantom which is 95% of his own arm.
Now I am confused!
A non-TW and non-Audio Origami dealer has just told me to look at the Audio Origami PU7 and get that 'special' in a 10.5". He had a chance to hear both on a TW Raven AC and said the PU7 sounded far more convincing, better LF and more dynamic. The build of the PU7 isn't upto the precise Germanic workmanship, but then in sound terms it seems at this stage a better buy.
I've yet to see a PU7 in the flesh. I've seen but not heard the TW tonearm - it does cost. If it sounds as good as the Graham Phantom then the 12" Ortofon is also looking like a REAL bargain as Thomas says the RS309D is about 95% of the Phantom which is 95% of his own arm.
Now I am confused!