40 years ago was 1970. At that time jazz LPs were generally very good and on average better than pop albums, whether from Impulse, Blue Note, Columbia, Verve, Pacific Jazz, Atlantic, ECM, A&M, CTI, Concord (1972), or Pablo (1973).
In fact, I pretty much consider anything from Concord or ECM to be audiophile quality, and most Pablo is in the same ballpark.
That said, I've also been happy with most reissues, even the $11 Original Jazz Classics reissues. I have a Speakers Corner reissue of "Count Basie and the Kansas City 7" and two Classic Records reissues of "Kind of Blue," and they are all superb. Ditto for the new Diana Krall albums recorded in analog and coming out on vinyl. Big, lush, detailed, musical.
I wouldn't so much say that one era's better than the other so much as that today's masterers and pressers are rapidly regaining the skills we took for granted 40 years ago, and in many cases the limited production numbers mean they are being extra careful these days.
A very few years ago you were hearing horror stories about noisy Classic Records and some of the other label reissues with wrong-sized spindle holes and untrimmed edges (I encountered that). I don't see much of that these days. I have a Speakers Corner reissue of the Bach Cello Suites by Janos Starker on Mercury. I also have an original 1966 mono pressing. The Speakers Corner is at least as good and dead quiet.
In fact, I pretty much consider anything from Concord or ECM to be audiophile quality, and most Pablo is in the same ballpark.
That said, I've also been happy with most reissues, even the $11 Original Jazz Classics reissues. I have a Speakers Corner reissue of "Count Basie and the Kansas City 7" and two Classic Records reissues of "Kind of Blue," and they are all superb. Ditto for the new Diana Krall albums recorded in analog and coming out on vinyl. Big, lush, detailed, musical.
I wouldn't so much say that one era's better than the other so much as that today's masterers and pressers are rapidly regaining the skills we took for granted 40 years ago, and in many cases the limited production numbers mean they are being extra careful these days.
A very few years ago you were hearing horror stories about noisy Classic Records and some of the other label reissues with wrong-sized spindle holes and untrimmed edges (I encountered that). I don't see much of that these days. I have a Speakers Corner reissue of the Bach Cello Suites by Janos Starker on Mercury. I also have an original 1966 mono pressing. The Speakers Corner is at least as good and dead quiet.