IMHO there is no protractor " made specifically for this arm ". What exist are different geometry cartridge/tonearm set up: Stevenson, Löfgren, Baerwald, Pisha, etc with different standard values: DIN or IEC and even you can choose your owns.
Yes to the second sentence, no to the first.
Yip does make each of his protractors for a specific tonearm, based on the Baerwald algorithm. So if you order a protractor for the JMW-9, it will be "made specifically for this arm," based on the Baerwald values.
I spoke with Mike at VPI and read the Vinyl Engine article on the geometry of VPI tonearms, and the lesson to take is that VPI designed its jig for the smallest tracking error in the last third of the record. Baerwald-based protractors minimize the tracking error across the entire record, on the other hand. Which evil you deem lesser should dictate the type of protractor you should be using to align your cartridge. That said, Mike actually highly recommended the Mint for those who listen to a lot of jazz and newer records, such as Blue Notes reissues, but recommended VPI jig for older records (78?)where the tracking error in the last 3rd of the record is big enough to apparently ignore the the first 2/3.
I am not familiar with the DBP-10, but Art Dudley's article in the June issue of Stereophile made me never want to use it. It sounds like you have to have a PhD in engineering to figure out how it actually works. Sure the Mint is useless once you change your tonearm, but 1) most don't do it often enough to worry about it; 2) you can always sell your Mint here and recover most of the money. I did just that when I upgraded from the Scout to the Classic. It is simple and straightforward to use right out of the box, and doesn't require an advanced technical degree to operate it.