Pat: I had Peter Lederman pot my 103R in an ebony body when he did the line contact retip (I opted for the $250 retip as opposed to the really extreme $350 retip).
Ultimately, I think, the different woods offer different presentations, and whether one has a stock 103 vs. a 103R may well result in a preference for a different wood body depending on, subjectively, what a listener wants and also whether their system is drifting toward being cool and lean or warm and full. In the end, the whole wood body/retip thing with the Denons is kind of like wine: very subjective.
As the 103R is purportedly (I actually have no experience with the stock 103) more extended and detailed than the stock 103, I think the ebony (or a wood that imparts a warmer balance-perhaps your cherry fits that character) may be the better choice for the 103R. I definitely found that with Ebony vs. Clavellin with the 103R. Clavellin may be the better choice with a stock 103, who knows?
With respect to the Soundsmith retip, the ruby cantilever is, as you say, pretty quick and the LC stylus digs out an incredible amount of information that the stock concical stylus simply misses.
IMO, with the 103R, the weightier presentation of the Ebony is a perfect match with the speed and detail retrieval of the ruby cantilever and LC stylus from Soundsmith.
But I track at 2.6 grams, which is exactly what I tracked at previously with the conical. Took me 2 months to figure it out as there are all kinds of zany reports from guys with Soundsmith Denons tracking at 1.5, 1.8 etc.
I found that even tracking at 2.45 grams resulted in a bit of a screwed up tonal balance with the Soundsmith LC retip. Tons of detail and speed, as you say, but etched and without the drama. Lower than that and you get lots of audiophile wannabe attributes: detail galore, air, speed. The problem is that the music, or, as you put it, the drama, is gone.
At 2.6 with the LC, all the power and drama is there, along with a lot more information, at least for me.
Ultimately, I think, the different woods offer different presentations, and whether one has a stock 103 vs. a 103R may well result in a preference for a different wood body depending on, subjectively, what a listener wants and also whether their system is drifting toward being cool and lean or warm and full. In the end, the whole wood body/retip thing with the Denons is kind of like wine: very subjective.
As the 103R is purportedly (I actually have no experience with the stock 103) more extended and detailed than the stock 103, I think the ebony (or a wood that imparts a warmer balance-perhaps your cherry fits that character) may be the better choice for the 103R. I definitely found that with Ebony vs. Clavellin with the 103R. Clavellin may be the better choice with a stock 103, who knows?
With respect to the Soundsmith retip, the ruby cantilever is, as you say, pretty quick and the LC stylus digs out an incredible amount of information that the stock concical stylus simply misses.
IMO, with the 103R, the weightier presentation of the Ebony is a perfect match with the speed and detail retrieval of the ruby cantilever and LC stylus from Soundsmith.
But I track at 2.6 grams, which is exactly what I tracked at previously with the conical. Took me 2 months to figure it out as there are all kinds of zany reports from guys with Soundsmith Denons tracking at 1.5, 1.8 etc.
I found that even tracking at 2.45 grams resulted in a bit of a screwed up tonal balance with the Soundsmith LC retip. Tons of detail and speed, as you say, but etched and without the drama. Lower than that and you get lots of audiophile wannabe attributes: detail galore, air, speed. The problem is that the music, or, as you put it, the drama, is gone.
At 2.6 with the LC, all the power and drama is there, along with a lot more information, at least for me.