When does analog compete with digital?


With vinyl becoming all the rage, many believe (perhaps mistakenly) that a budget of $1K will allow them to bring their analog front end up to par with their digital. I would like a reasoned assessment of this issue.

How much time, money, and expertise do you think is necessary before one can seriously claim that their analog front end can compete with their digital? What characteristics, if any, are simply incommensurable between these two mediums? Let's use my system as an example.

Personally, I tried to build an analog front-end that focused on texture/warmth (as opposed to dynamics), but I still feel as though something is missing. Trouble is, I can't quite put my finger on it. I'd be grateful for comments/suggestions (system in sig)
jferreir
Luckily my daughters' dance school is at Hwy 3 and Nasa Rd One, about half a mile from the entrance to Nasa's main facility. I am sure at least a few of the girls at the school have parents who are scientists at Nasa. I will offer to drop my girls off tonight, and put a note up on the bulletin board inquiring about the gimbled turntable.

Maybe someone can pull it out of the archives. If they do, let's set up a listening test. Probably best to do it in late October when it cools down here.
My Bimmer does 0-60 in 4.8 seconds. This will obviously cause variations in platter speed, so please address this technical point with NASA in the new design.
I think a gyro is a sine qua non for the gimbal platform, and the trick would be having the platform mounted so that the gimbaled supports to that platform were not rigid (I expect something like a linear bearing might work here, with the gyro keeping the TT in one place). One could potentially mount a Sony PS-F9 on it to "save space." It has the linear arm, but I expect the single biggest issue would be vibration damping, so one would have to have something like a mini vibraplane as the platform base (requiring a much bigger gyro).
This is my new favorite string!!

CajunPepe we will try to solve your acceleration problem. In fact, we will try to solve it for a fast car too, so your Bimmer should have no problem. Once you break 4 on 0 - 60 then you should start worrying!!

BTW, Geaux Tigers!!
If you buy a used modified Sony or Denon cd player, you can get pretty spectacular sound for under 1000.00. I have found it very difficult to get great sound in analog for under $1500.00-2000.00. To me, to get great analog sound is going to cost more like $4000.00 and that's just table, arm, & cartridge. You'd still need a phono preamp. To answer your particular what's missing in your system question, I'm going to guess the jump factor (like live music) and clear powerful bass, and maybe the incisive highs when you listen to lower to middle cost analog. Due to getting those sound traits more in cd, I think it makes analog seem too smooth and you want to hear more grunt with some balls to it. That's my take as a Modwright Sony 9000 totally messed up my appreciation of many of my records. I WANT that jump factor and drive in the analog, too. Very tough to find IMO, even at the $2000.00-4000.00 range used.