How to accomodate a balanced only phono stage ?


I've got my eye on an expensive Phono stage that only accepts balanced inputs - from my experience about 99.9% of the tables out there are single ended only. Is there a cost effective way to convert an single ended turntable to supply a balanced input of a phono stage (without compromising the signal)? thanks for any input.
dbamac
To simplify, the two-pin cartridge coil is inherently a balanced signal generator. On one channel map cartridge Red to XLR pin 2 and cartridge Green to XLR pin 3. On the other channel, map cartridge White to XLR pin 2 and cartridge Blue to XLR pin 3. The cable's RFI shield should float unconnected at the the arm and be grounded to XLR pin 1. A separate ground wire may be run from physical tonearm to phono stage chassis.

A standard RCA/XLR converter plug may not work, as these typically short XLR pin 3 to ground and elimininate one phase of balanced signal from circuit. To pass a fully balanced cartridge signal to the phono stage you need a converter plug that maps RCA pin from cartridge positive phase to XLR pin 2, cartridge negative phase from RCA barrel to XLR pin 3, and floats XLR pin 1 unconnected.

As suggested by Lewm, if in an RCA configuration cartridge negative phase and shield to RCA barrel share a common wire, then grounding the shield to pin 1 or chassis will have the effect of shorting out and eliminating one half of the balanced signal.
(I was just about to click "submit" on the following, when I saw Dave's (Dgarretson's) post above. Thanks Dave).

I should have added at the end of my previous post that there is a second reason why it is preferable to use a properly designed adapter cable, rather than an rca-to-xlr adapter.

Most or all commercially available rca-to-xlr adapters connect xlr pins 3 and 1 together (i.e., they ground the "cold" or inverted signal polarity). The resulting difference in the impedance of pin 2 (relative to ground) and pin 3 (relative to ground) will pretty much negate the common mode noise rejection capability of the balanced input.

Regards,
-- Al
A standard RCA/XLR converter plug may not work, as these typically short XLR pin 3 to ground.... As suggested by Lewm, if in an RCA configuration cartridge negative phase and shield to RCA barrel share a common wire, then grounding the shield to pin 1 or chassis will have the effect of shorting out and eliminating one half of the balanced signal.
Actually, that is not correct. The phono stage will see the same signal amplitude whether or not pin 3 is grounded. There will be the same difference in voltage between pins 2 and 3, as generated by the cartridge, either way. The cartridge will not "care" whether those lines are referenced to the phono stage's ground, or are floating.

The difference will be, as I said in my post immediately above, that the impedances of the two signal lines relative to ground will be unequal if pin 3 is grounded. That will severely degrade rejection of common mode noise, but will not affect the amplitude of the signal that is processed through the phono stage.

Essentially, it would convert the balanced input stage into a single-ended input stage, but with no change in signal amplitude.

And again, to be precise, it is one polarity, or one of the two signals in a balanced pair of signals, that is shorted to ground, not one half of a signal. Each of the two signals comprises a complete waveform containing all of the signal information, and the waveforms on the two signal lines are identical except for being inverted relative to each other.

Best regards,
-- Al