Albert Porters after market panzerholz plinths


I would like to hear from anyone that has purchased a panzerholz plinth from Porter Audio or a panzerholz DIY project.
Reading through all that I could find on this subject it's obvious Mr. Porter did his home work on his design.
My question to those of you whom refurbished, replinth and rearmed some of these direct drives has it advanced analog playback for you?

David
dbcooper
In our case, the power of the direct drive motor made a big difference in keeping up with dynamic passages on certain records. The superiority in that regard was very evident. The background was blacker with the Technics even though most consider belt-drives to be quieter. The Walker got the benefit of the doubt being provided with the better cable of the two. The bass was more solid and better defined with the Technics as well. In what area did we feel that the Walker was superior to the Technics? None - hence the word trounce. Please note that we are talking about preference, just as we prefer the Allnic phono stage to the J&R solid state phono stage.

You may hold differences in preferences but that is no reason to resort to ad hominem attacks.

John
Dear John: Attacks?, for me some one that is unaware of " something " it is an ignorant on that subject.
How do you name your ignorance, that kind of " unaware/ignorance?

Allnic?: just pathetic.

Regards and enjoy the music,
Raul.
The Walker/Technics test seems like it was one front end versus another front end and the group preferred one over the other. How is that invalid? They were not comparing arm vs. arm, or cart vs. cart, or table vs, table which would have been very difficult or impossible. I haven't read anything about the cables or phono amps used. The only conclusion I can draw from that test is that during those sessions, that group of experienced music lovers preferred one front end over the other. I don't even think it would be correct to deduce that the drive systems (DD vs belt) made the most difference in the test.

It would be interesting to hear from more people who have tried their DD tables with a solid plinth and then without one.
Interesting how certain products trounce in one system and are trounced in another.

One audiophile I know (outside of USA) has quite a few turntables and an extremely good syhstem. Walker Proscenium Black Diamond II , MS SX 8000II, Kuzma XL 4, MS SX 777 FV, Exclusive P3a, Technics Sp10 mk2 and Mk3 with and without SME 312S.

His best sounding table is the Walker. A lot better than his SP10 mk3. His best sounding DD table is the Exclusive P3a.

BTW, he is an avid audiophile and has no sales motives

cheers
Hi Downunder, I presume that the judgement of the relative merits of the turntables is completely subjective. Yes? (But what else can it be, really?) Can you disclose what type of system is in use? (Speakers, preamplifier, amplifier, etc.) Have you heard the various competitors and do you agree with the conclusion? Raul (and I) would also want to know what tonearms and cartridges are at play. With the P3 and the Walker, one is "limited" to the single built-on choices of tonearm, and by the same token those two tonearms cannot be used with any of the other tables. (I say limited in quotes, because in both cases the respective tonearms are superb, although very different from each other.) This hobby is so freakin' difficult. Interesting that the mighty Micro Seiki's are not in the top 2.