Hi, Nandric, your use of Quine's argument is appropriate. The process of cartridge alignment can be as complicated as we make it but what is needed is an elegant method that considers a wide range of tone arm and cartridge combinations.
From W.V. Quine's paper titled "Identity, Ostension, and Hypostasis": "Elegance can make the difference between a psychologically manageable conceptual theme and one that is too unwieldy for our poor minds to cope with effectively."
Elegance in the case of cartridge alignment would be variable geometry protractors. And: "Where this happens, elegance is simply a means to the end of a pragmatically acceptable conceptual scheme."
Best Regards and enjoy the day.
Tom
From W.V. Quine's paper titled "Identity, Ostension, and Hypostasis": "Elegance can make the difference between a psychologically manageable conceptual theme and one that is too unwieldy for our poor minds to cope with effectively."
Elegance in the case of cartridge alignment would be variable geometry protractors. And: "Where this happens, elegance is simply a means to the end of a pragmatically acceptable conceptual scheme."
Best Regards and enjoy the day.
Tom