Thanks Genesis168,
I will certainly be comparing the TT-81 to the Raven AC/3 but this comparison may be more than simply that?
Raul has helped me to realize that the great MM cartridges made 30 years ago, are more than just a match for the very latest and expensive LOMC cartridges of today. They are in fact IMHO, more natural,detailed, truthful and distortion-free than the very best MCs.
So who determined 35 or more years ago, that MM cartridges were deficient and that MC cartridges were inherently better?
And why did the audio press push this belief and why did the high end consumer swallow this propaganda?
Similarly with turntables. Who was it who decided that the simple belt-drive method was inherently better than idler-drive and direct-drive? And again.......why did the audio press (especially in England) push this concept?
And who was it who suddenly determined that 'bent' tonearms with detachable headshells were poor sounding devices and straight arms with fixed headshells sounded better?
Did anyone actually listen to the best of the 'bent' arms and compare their new fixed straight arms to them?
With so much actual feedback now available via the Internet, there is evidence that the last 30-40 years of so-called technological development in high-end audio may be nothing more than marketing, PR and promotion by people and companies with self-serving interests?
This Project may shed some light on some of these questions?
I will certainly be comparing the TT-81 to the Raven AC/3 but this comparison may be more than simply that?
Raul has helped me to realize that the great MM cartridges made 30 years ago, are more than just a match for the very latest and expensive LOMC cartridges of today. They are in fact IMHO, more natural,detailed, truthful and distortion-free than the very best MCs.
So who determined 35 or more years ago, that MM cartridges were deficient and that MC cartridges were inherently better?
And why did the audio press push this belief and why did the high end consumer swallow this propaganda?
Similarly with turntables. Who was it who decided that the simple belt-drive method was inherently better than idler-drive and direct-drive? And again.......why did the audio press (especially in England) push this concept?
And who was it who suddenly determined that 'bent' tonearms with detachable headshells were poor sounding devices and straight arms with fixed headshells sounded better?
Did anyone actually listen to the best of the 'bent' arms and compare their new fixed straight arms to them?
With so much actual feedback now available via the Internet, there is evidence that the last 30-40 years of so-called technological development in high-end audio may be nothing more than marketing, PR and promotion by people and companies with self-serving interests?
This Project may shed some light on some of these questions?