Hi Lew,
As far as volume is concerned, I left it to Frank and Joel, who knew the musical selections. With the Atma-sphere's stepped attenuators, it was impossible to obtain an exact volume match.
I'm still recovering from the show, and I'll revisit the other comments in this thread in the coming days. Your observation was an easy one to address quickly however.
My biggest regret (as I posted in the "meet and greet" thread) was to let "team Schroeder" show up at the last minute with a piece that we had to spend time positioning in order to eliminate hum - at everyone's expense, and in a room being heated with OTL's and Dave Slagle's Tequilla and beer.
Frank put me in a difficult position when he advised Joel and me at 4pm on Saturday, that his sample of the A90 wasn't consistent with his earlier experiences of the cartridge. The arm had yet to be mounted on the Stelvio-II at that time.
Frank proposed that we might round up a second sample of a Dynavector XV-1s, a cartridge he has on more than one occasion diplomatically stated was not his preference.
Perhaps Frank can comment further.
In an attempt to give Frank every opportunity to shine, I let him in the door with a wonderful, $20K LCR phono stage designed by Jeffrey Jackson (being exported to Asia by Artemis Labs). 30-50 people were inconvenienced for 40 minutes as a result of this late (but wonderful) entry.
Those who expected a definitive outcome were amply forewarned, but having said that, I would have liked to have been able to maintain a bit more consistency between the two rigs.
If you trace back through the other threads on this forum, you'll note that I requested that we begin working on equipment compatibility on Thursday night, and locking it down by Friday night at the latest.
Had I taken a hard line on this, we would have listened to only the Talea, and I would have come off as shutting the Schroeder out of the picture. I was in a difficult situation in this regard. Perhaps I should have taken a hard line on this.
Cheers,
Thom @ Galibier
As far as volume is concerned, I left it to Frank and Joel, who knew the musical selections. With the Atma-sphere's stepped attenuators, it was impossible to obtain an exact volume match.
I'm still recovering from the show, and I'll revisit the other comments in this thread in the coming days. Your observation was an easy one to address quickly however.
My biggest regret (as I posted in the "meet and greet" thread) was to let "team Schroeder" show up at the last minute with a piece that we had to spend time positioning in order to eliminate hum - at everyone's expense, and in a room being heated with OTL's and Dave Slagle's Tequilla and beer.
Frank put me in a difficult position when he advised Joel and me at 4pm on Saturday, that his sample of the A90 wasn't consistent with his earlier experiences of the cartridge. The arm had yet to be mounted on the Stelvio-II at that time.
Frank proposed that we might round up a second sample of a Dynavector XV-1s, a cartridge he has on more than one occasion diplomatically stated was not his preference.
Perhaps Frank can comment further.
In an attempt to give Frank every opportunity to shine, I let him in the door with a wonderful, $20K LCR phono stage designed by Jeffrey Jackson (being exported to Asia by Artemis Labs). 30-50 people were inconvenienced for 40 minutes as a result of this late (but wonderful) entry.
Those who expected a definitive outcome were amply forewarned, but having said that, I would have liked to have been able to maintain a bit more consistency between the two rigs.
If you trace back through the other threads on this forum, you'll note that I requested that we begin working on equipment compatibility on Thursday night, and locking it down by Friday night at the latest.
Had I taken a hard line on this, we would have listened to only the Talea, and I would have come off as shutting the Schroeder out of the picture. I was in a difficult situation in this regard. Perhaps I should have taken a hard line on this.
Cheers,
Thom @ Galibier