Schroder sq and the new talea


I heard there was to be a fun time of learning and comparing of these two arms at the rmaf. Since the talea is relatively new, it still has to stand the test of time with comparisons on other tables, other systems and the selective and subjective tastes of discerning audiophiles! There is to be a comparison in one of the rooms at the rmaf this year, which i wasnt able to make. I would be curious to hear some judicial, diplomatic, friendly talk about how they compared to each other in the same system and room. I currently own the origin live silver mk3 with a jan allaerts mc1bmk2 and am enjoying this combo but have become curious about the more popular "superarms" Hats off to both frank and joel.

I hope this thread draws more light rather than heat. If someone preferred one arm over the other it would be OK. With all the variables it doesnt mean that much to me. What matters to me is what it sounds like to me and in my room. With that said...

What was your bias? was it for the schroder or the talea?

cheers!...
vertigo
Thom, first of all - the "principle" of novacula occami (Occam's Razor.... or more precise: Occam's scalpel ) is NOT a principle of nature nor ever used in that way by the man to which it's origin is related, but a phrase from a 19th century mathematic ascribed to an early 14th century german religious scientist (who again borrowed it from Aristoteles...) and then during viktorian times adapted in the hey-day of economic theory.
Personally I think it is an erratic phrase in the way it is used and promoted in our poor educated modern times and I like the phrase "nature knows no compromise" a lot more - but that's purely personal and again against the mainstream.

But ..."The principle of Occam's razor is a valid design approach - whether you like it or not." ...... of course, but the undisputed fact that it is indeed a "valid design" approach today (at least in the last 3 decades and ever increasing the past 10 years..... (BTW - I have studied marketing and industry-design in the late 1980ies)) doesn't tell anything about its value or whether that's good (in the positive sense ) or not.
And sorry - no, I do not think that something simply has the value that people put on it.
I still have the naive thinking, that the real contend -i.e.: the inherent quality ( in the very sense of the word ) of a product/something ultimately qualifies its value.
Certainly I am somehow in opposition to "modern ( read: today's...) approach", but I can live quite comfortable with that fact.
For me the price of something never automatically went hand-in-hand with a quality sign.
We have in contrary the omnipresent problem, that today something ( especially in high-end audio...) is not taken seriously at all (regarding it's level of performance ) if it is not in a certain ( high...) "price-range".
Dertonarm, Your eloquence is staggering but I am very puzzled with your statement: 'high-end audio has nothing to
do with love for music'. I know that describing something one way or the other matters so it may be the case that you meant 'high-end' in pejorative sence but to me it is about having music at home and attempting to get as near as
possible to the 'real thing'. Without love for music such
attempts look to me as absurd.
Regards,
... Without love for music such attempts look to me as absurd ...

Well, this is subjective. When you like the music it doesn't matter from what kind of source it is coming, MP3, Car Stereo or Gramophone.

High End Audio actually used to have a goal: perfect reproduction of the sound of real music performed in a real space. That was found difficult to achieve, and it was abandoned when most music lovers, who almost never heard anything except amplified music anyway, forgot what "the real thing" had sounded like.
Today, "Good" sound is whatever one likes.
Dear Nandric, as much as I am taken with truly great sonic reproduction and the way it can open up certain aspects in complex music textures (Mahler Symphonies, Schoenberg - "Pelleas and Mellisande" for instance...) - I honestly meant that high-end audio is utterly obsolete for the enjoyment of music.
The most moving moments in music in my experience were via kitchen radio or car radio - it was a matter of the moment, the right music and a certain mood which created those unforgettable moments.
It was never because of the sound.
There are great moments in audio - no doubt and no argument.
I have them every day, but that has to do ( at least in my experience which of course is purely individual ) with sensual receipt of great acoustic sensations.

And you will find ( most likely have already ...) audio fanatics whose record collections in size and musical "content" clearly show, that love for music has nothing to do (for them...) with high-end audio.
To me High-end audio is about SOUND reproduction - not music.
Each has it's meaning to me - in the right frame of context and importance.
And I strive every bit as hard as everyone here on Audiogon for the best possible (individually spoken ...) sound in my set-up.
But Beethoven's Op.132 can bring tears to my eyes while riding by car in the night - via low quality broadcast.
Best,
D.
Dear Syntax, I am not able to see Dertonarms 'system' so I
can only quess but I can see yours. Your system is in my opinion in contradiction to your opininion as stated. But my quess regarding Dertonarm system is that the Dollar value of it would allow him to spend the rest of his life in a concert hall.
Regards,