Dear Nandric, as much as I am taken with truly great sonic reproduction and the way it can open up certain aspects in complex music textures (Mahler Symphonies, Schoenberg - "Pelleas and Mellisande" for instance...) - I honestly meant that high-end audio is utterly obsolete for the enjoyment of music.
The most moving moments in music in my experience were via kitchen radio or car radio - it was a matter of the moment, the right music and a certain mood which created those unforgettable moments.
It was never because of the sound.
There are great moments in audio - no doubt and no argument.
I have them every day, but that has to do ( at least in my experience which of course is purely individual ) with sensual receipt of great acoustic sensations.
And you will find ( most likely have already ...) audio fanatics whose record collections in size and musical "content" clearly show, that love for music has nothing to do (for them...) with high-end audio.
To me High-end audio is about SOUND reproduction - not music.
Each has it's meaning to me - in the right frame of context and importance.
And I strive every bit as hard as everyone here on Audiogon for the best possible (individually spoken ...) sound in my set-up.
But Beethoven's Op.132 can bring tears to my eyes while riding by car in the night - via low quality broadcast.
Best,
D.
The most moving moments in music in my experience were via kitchen radio or car radio - it was a matter of the moment, the right music and a certain mood which created those unforgettable moments.
It was never because of the sound.
There are great moments in audio - no doubt and no argument.
I have them every day, but that has to do ( at least in my experience which of course is purely individual ) with sensual receipt of great acoustic sensations.
And you will find ( most likely have already ...) audio fanatics whose record collections in size and musical "content" clearly show, that love for music has nothing to do (for them...) with high-end audio.
To me High-end audio is about SOUND reproduction - not music.
Each has it's meaning to me - in the right frame of context and importance.
And I strive every bit as hard as everyone here on Audiogon for the best possible (individually spoken ...) sound in my set-up.
But Beethoven's Op.132 can bring tears to my eyes while riding by car in the night - via low quality broadcast.
Best,
D.