Schroder sq and the new talea


I heard there was to be a fun time of learning and comparing of these two arms at the rmaf. Since the talea is relatively new, it still has to stand the test of time with comparisons on other tables, other systems and the selective and subjective tastes of discerning audiophiles! There is to be a comparison in one of the rooms at the rmaf this year, which i wasnt able to make. I would be curious to hear some judicial, diplomatic, friendly talk about how they compared to each other in the same system and room. I currently own the origin live silver mk3 with a jan allaerts mc1bmk2 and am enjoying this combo but have become curious about the more popular "superarms" Hats off to both frank and joel.

I hope this thread draws more light rather than heat. If someone preferred one arm over the other it would be OK. With all the variables it doesnt mean that much to me. What matters to me is what it sounds like to me and in my room. With that said...

What was your bias? was it for the schroder or the talea?

cheers!...
vertigo
Kostas_1, good morning.
Oxygen to humans is not of an assigned "value" - it is (even in market terms...) an indispensable "need". As such, "value" can't be the right term in the context.
Whether we live in a democracy or just the pale shadow of one ( but our bias has long adjusted to reality ..) is yet another question...;-) ....
Dear all, When Raul posted his 'the best of the best carts'
there was much confusion, negation, explanation,etc . If I
remember well 'the argument' against such a pronouncement was: one can not value or judge a cart in isolotation. To use Dertonarms expression 'team': cart and tonenarm are a
'team' or 'combo'.Ie one needs two for the tango.
We have in casu essentialy the same question but 'disquised' in a different description: wich is the best of the best 3-4 or 5 tonearms? BTW I assume that there
is consensus about this 'fact': there is no universal tonearm (yet). But it may be the case that we all want 'the best tonearm' there is.
Regards,
Dgarretson, I also thought about classical ecomicis in this
context but 'the old one'. Smith, Ricardo, Marx, etc. They
made the distinction between 'value in use' versus 'exchange value'. The so called 'theorys of value'
were all over the place then. Ricardo was the only one who
was searching for the 'absolute measure of value'. His 'corn model'of economic process is still the best 'reduction'(of complexity) that I know of. Ie the whole process is explained in corn terms. Back then the usual explanation of the difference was: water and air have
tremendous 'use value' but no 'exchange value'. No idea if this helps but to my mind we should avoid mixing expressions like 'valuation', 'desription' and 'prescription'. Dertonarm uses obviously 'physicist'
approach: the objects have the qualitys they have, we can discovere them but we can not ascribe to them qualitys they
dont have. But this should be put it seems to me in dscriptiv terms and not in terms of valuation. Valuation without a subject who values is a strange construction.
Marx stated this in the context of 'use value' like this:
the humans value those things because they need them but to
a sheep it may look very strange that his 'value'consist in
the fact that he is edible by humans.

Regards,
Dear Nandric, indeed - that phantom "best tonearm" will haunt us all for the rest of our journey through high-end audio.
And yes, I think any given tonearm - no matter of concept or design - can't be universal, but has ( or should ...) be seen and judged only in direct conjunction with the cartridge mounted.
The dynamic-mechanic spring-mass system formed by these two partners is the key (assuming that all other parameters and the quality (inherent or not ...;-) ...) allows the two to show off what's possible.
But even then will will never universal join in praise.
Personal matters, opinions, taste and preferences will keep this game "open" forever.
I still believe that true value in the sense of the word has nothing to do with declaration or point of view of people but with its inherent quality.

This seems inherently contradictory. There is no 'objective' viewpoint to be had; we are all humans and assign value and create stories about 'quality' in an arbitrary fashion. Rome did not prevail because of a sword; it prevailed, and that's all there is. Once you assign reasons, you are making up stories.

With regards to Frank's comments, The MP-1 has a phono gain of 66 db. The line section adds to that. I know of no cartridge that the preamp does not work with, it has a loading strip on the rear to accommodate any load needed. Frank's comments about compatibility are simply incorrect.

When used with a LOMC, the volume control will be seen to have 2-db steps. The difference in gain Frank was referring to was the fact that the outboard phono section he produced for the event had a different gain structure. If the phono section was the tiniest bit brighter, you would have run into this problem no matter how many notches existed on the control, due to the way the ear detects sound pressure.

Further, Stig's (Lyra) comments on this forum some months back bear repeating (I confirmed it the process of trying to build an accessory that could tell you what the right loading for a cartridge is): the simple fact of loading a LOMC cartridge has entirely to do with ultrasonic behavior of the preamp and little to do with the cartridge. IOW the value of the load is not critical **if the phono section is well-behaved when ultrasonic noise is injected into the preamp**.

The bottom line is if you are used to hearing big differences with loading, what you are hearing is caused by the phono section being susceptible to ultrasonics, **not** a change in damping of the cartridge.