FatGhost:
Viridian is correct regarding the Music Hall (he is also absolutely correct in the other thread regarding the unimportance of primary resonance, which is usually irrelevant because of the low rumble of modern tables - arm/cartridge resonance is the issue, and it's totally unpredictable until an actual arm/cartridge combo is tried - but that exceeds the scope of your thread).
If I were you, I would buy a used VPI and then drive it to Soundsmith (Peter Ledermann) in Peekskill, New York (about 2.5 hours from Philly), for set up on a Saturday, and then pick it up the next Saturday - he might be able to do it all the same day, but you'd obviously have to ask. He'd probably charge you $100-$125. Peter uses VPI tables and he makes VPI's cartridges (he can mount any cartridge you buy - I just mention this for you to understand who this guy is). Except for maybe Frank Schroeder, no one knows more about analog then Peter.
Viridian is correct regarding the Music Hall (he is also absolutely correct in the other thread regarding the unimportance of primary resonance, which is usually irrelevant because of the low rumble of modern tables - arm/cartridge resonance is the issue, and it's totally unpredictable until an actual arm/cartridge combo is tried - but that exceeds the scope of your thread).
If I were you, I would buy a used VPI and then drive it to Soundsmith (Peter Ledermann) in Peekskill, New York (about 2.5 hours from Philly), for set up on a Saturday, and then pick it up the next Saturday - he might be able to do it all the same day, but you'd obviously have to ask. He'd probably charge you $100-$125. Peter uses VPI tables and he makes VPI's cartridges (he can mount any cartridge you buy - I just mention this for you to understand who this guy is). Except for maybe Frank Schroeder, no one knows more about analog then Peter.