Analogue synergy


Hi All,

I've got a Brinkmann LaGrange which I will be using with a Triplanar Tonearm and Koetsu Rosewood Signature.
Will this synergy work. I've be informed that the Triplanar isn't a good synergy with the Brinkmann.
Can anyone advise on this matter.
methodology
I do not see any issue in using the Brinkmann/Tri-P Arm in combination. The Tri is built to be used with any TT on the market. If you have a synergy issue it might be with the Koetsu cartridge which probably is sweet, musical, and a little dark for what already will be a slightly dark sounding arm/table combo. You might want to consider a Lyra, Transfiguration, or Dynavector cart. in your price range. These cartridges are more neutral and more dynamic as well. You have a very nice table and arm. Good luck and enjoy!
Hi Elinor
Thanks for the feedback.When I intially demo the Brinkmann I felt it was faithful to the recording. I value neutral presentation where my system should minimise its impact on the musical presentation.I heard prople say the brinkmann is an analytical presentation. I personally never heard this.
As regards Cartridge selection the Koetsu RS was selected for its musical presentation and also I've never used a Koetsu in my own system before.
I'm looking forward you getting my Analogue rig set-up asap.
My current phonostage is the Whest PS 30R do you feel its up to the task of maximising my Analogue set-up.
Any alternative recommendations?

Although a Koetsu will "work" on a Triplanar and sound good, I get the impression that Koetsu's can sound even better on higher mass tonearms. Koetsu has very low compliance; Triplanar is "medium" mass tonearm. Of course, you can always stick a penny or a wad of gum on the Triplanar headshell to increase its effective mass, instead of finding a whole 'nuther tonearm which might not otherwise be as good as a Triplanar. Seriously, some added mass on the headshell might be a good thing. I think a penny weighs 5 gm. Some prefer blue tac.
If you do get the Brinkmann/Tri/KRS, the weak link will be the Whest PS30R. IMHO you should get the Whest PS30 RDT SE version. It is leaps and bounds above the R in terms of quietness, resolution and dynamics.

Of course if you can get the Whest MC V, it is even much better than the SE. But is twice the price. Worth getting the MC V if your musical taste runs into large orchestrals and big bands where the extra resolution and dynamics over the SE brings you into the venue.