Setting Antiskate - visually


I just installed a Kleos onto my Nott 294 with stock arm. For setting antiskate, the Lyra instructions say to observe the cartridge and cantilever as it settles into the record grove - if the cartridge settles to the right or left, adjust the antiskate so it remains vertical.

Well, this is a really tough thing to observe. But, after raising and lowering the tonearm several times with the lever (not by hand), I could watch the cantilever literally walk to the right or the left across the record - one or two or three grooves at a time, and easily observe the skate effect. Just to the left or right of the space between songs provides a good fixed reference spot on the record. Adjusting the antiskate weight to its max and min setting had a clear observable effect on its behavior.

It seems to me that this "method" is consistent with Lyra�s instructions, but does avoid the skating effects, if any, imposed by the rotation of the record. So, has any one used this �method� and/or have any comments?
poonbean
Mr.Poonbean, even such an esteemed mathematician as you are should mind his manners here.
Dougdeacon, I agree. Fine tuning is always done by ear.
>>02-17-11: Poonbean
You/me might not know how good or great the playback can be if simply relying on your ears<<

Huh?

>>To assume you can nail all that with your ears is silly.<<

Double huh?
I used the HFN test LP and was realy proud to get 90 Mu
without any buzz from the right channel. But then I come
across the worning by Van den Hul not to use this method.
I alrady was advised not to use the 'blanco' LP's on wich
you was able to see the actual skating. Since then I have
no idea how how to adjust the antiskating. By ear? Come
on. Do you hear what I hear? I do this by intuition and with intuition you can claim what you like.

Regards,
I am also learning to do it by ear. Trying different settings and listen to the same music. During playback of chamber music or orchestral music , the violin or the entire violin section lose focus. Too little antiskate, the cello or the heavy strings lose focus. The bass drums may also float towards the center and the far right corner of the soundstage collapses during very dynamic passages.

Listening for vocal in the center helps too but that is also impacted by azimuth.

You know you have it right when you feel there is too much antiskate in the beginning and too little at the end.