A Copernican View of the Turntable System

Dear Chris, You made some kind of drilling (oil) platform
for your SP-10. Looks to me more convincing than the AT footers below the cover because this cover is very questionable as support. I would add the Stillpoints underneath the the steel 'points' for some damping. I assume that the threads are made in the SP-10 frame? This way you don't need the AT 616 and than (as seller)will probable have some other perspective reg. other Australians than Henry.

Regards,

Dear Lew, You must feel 'Majestic' at present. The
rumours even in Holland are that you now own the best speakers in the world; anyway the best electrostatics ever.
Then you have your both sons near you so you must be a very happy guy at the moment. Hope your sons also love jazz.

Regards,

Hi Ct0517,

I tried to send this before but it seemed to fail. If I therefore repeat my self here I can only apologize.

My experience with the AT616's beneath a nude Technics SP10 Mk2 found improved performance, particularly in the areas of timbre and detail retrieval. This means that you will more clearly be able to distinguish instruments (such as a viola and violin and a wider range of percussive instruments). It also means that the retrieval of inner detail with instruments such as various guitars, double bass and piano are much improved.

My earlier experience with the nude Technics included using Syposium couplers on a Symposium Ultra platform and using a wide variety of footers and cones on distinct platforms. These were all fairly pleasing. However, using the AT616's was a marked improvement on these options.

I hope this helps and good luck

Jcarr,
you forgot something: a ladder !

by placing a ladder (which reaches high enough over the shielding) in front of the TT you will be able to climb onto it and maintain the TT from above.

But seriously: air isolation is one of the best measurements if designed and implemented properly.

I am wondering why most people are positioning their TT(s) near one of the sidewalls of their listening room using very long cables and also giving their speaker systems the opportunity shooting into the room free
and fast. Why not designing a LS system and positioning it two meters in front of the rear wall in such a way that most of the waves are not entering the space one meter behind and in between the speakers. reflections should be dispersed by corner, rear wall and ceiling measurements too.

We are always speaking about one unit - a TT or an arm pod. But we never look at the whole system - the listening room.

best & fun only

Dear Dgob, When you say that you found "improved performance" when you mounted your nude SP10 on AT616s, may I correctly assume that you refer for comparison to the same tt when mounted on Symposium products? Or what? Thanks.