paperw8, heres what I've seen with a Linn Sondek going from least to best tonearm available in the shop.
#1, quality of arm doesn't affect groove tracking, thats really a matter of good bearings and good match between arm mass and cartridge so that irregular record surfaces don't excite a wow/flutter effect. You can get excellent groove tracking in any properly made cartridge above $100
2# quality of arm does affect the ability to trace microtransients and not distort peak transients. A mediocre arm reduces that sense of "air" in a recording and direct to discs will make you want to shoot the arm and put it out of its misery. The arm basically rings like a bell at unpredictable frequencies and amplitudes in sympathy to the stylus vibration.
Better arms have fairly sophisticated schemes of minimizing resonances. Beware of any tonearm with dangling parts, thats a resonance PITA. An excellent tonearm should have a machined approach like jewel movement swiss watches.
#1, quality of arm doesn't affect groove tracking, thats really a matter of good bearings and good match between arm mass and cartridge so that irregular record surfaces don't excite a wow/flutter effect. You can get excellent groove tracking in any properly made cartridge above $100
2# quality of arm does affect the ability to trace microtransients and not distort peak transients. A mediocre arm reduces that sense of "air" in a recording and direct to discs will make you want to shoot the arm and put it out of its misery. The arm basically rings like a bell at unpredictable frequencies and amplitudes in sympathy to the stylus vibration.
Better arms have fairly sophisticated schemes of minimizing resonances. Beware of any tonearm with dangling parts, thats a resonance PITA. An excellent tonearm should have a machined approach like jewel movement swiss watches.