How important is the tonearm?


I am presently shopping for a new tonearm for my new turntable. I looked at basic arm like the Jelco (500$) but also at arms like Reed, Graham, Tri-Planar all costing over 4000$.

The turntable is a TTWeights Gem Ultra and the cartridge I have on hand is a brand new Benz Ruby 3.

Here is a couple of questions for the analogue experts.

1. Is the quality of the tonearm important?

2. Is it easy to hear the difference between expensive tonearm (Ex: Graham Phantom) vs a cheaper Jelco (Approx. 500$)?

3. What makes a good arm?

Any comments from analogues expert?
acadie

01-30-11: Davide256
2# quality of arm does affect the ability to trace microtransients and not distort peak transients. A mediocre arm reduces that sense of "air" in a recording and direct to discs will make you want to shoot the arm and put it out of its misery. The arm basically rings like a bell at unpredictable frequencies and amplitudes in sympathy to the stylus vibration.

Better arms have fairly sophisticated schemes of minimizing resonances. Beware of any tonearm with dangling parts, thats a resonance PITA. An excellent tonearm should have a machined approach like jewel movement swiss watches.

i see. this sounds like a pretty reasonable explanation. i have a triplanar tonearm and one thing that i have noticed is that the tonearm seems very dead in the sense that if you tap the tonearm the material from which the tonearm is made deadens vibrations. an impulse tap contains a fairly wide range of frequncies so that test would suggest to me that the triplanar tonearm is not particularly prone to coupling longitudinal resonances along the wand.
Paperw8, most any tonearm is a complex system in itself. Sorry, no easy answers.

Tapping. Here we go again.
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