Both excellent tables, to be sure. I owned a heavily modified Oracle Delphi MK IV and still own an SME 20/2 with a Graham Phantom I.
The Oracle was great for its day when everything was right, but it had trouble holding the perfect setup for very long.
The SME with Graham is truly a set it and forget it system and is very easy to set up. I have never found it lifeless. It is very stable and has minimal resonances to add to what is on the record. I think most of the "lifeless" comments come from folks who have tables that "contribute" to the sound. Such contribution usually gives the table a euphonic sound that is quite pleasant. But it is not what is on the LP.
I suspect that the new 20/3 will be noticeably better than the 20/2. The new mat material is probably a signicant improvement and I think SME improved the power supply as well. Have not seen the HiFi News reviews.
Not to detract from the SME 20/2 with Graham Phantom, but I have one of Albert Porter's Technics SP 10 MK IIIs with completely restored and upgraded electronics and his plinth with an SME 312S arm. Best vinyl I have ever heard by a huge margin, it is actually close to true master tape sound on well-recorded, well mastered and well-pressed LPs. The 20/2 sound is similar but quite a bit less, which leads me to believe that it is not adding much if anything that is not on the LP.
Hope this helps.
Ed
The Oracle was great for its day when everything was right, but it had trouble holding the perfect setup for very long.
The SME with Graham is truly a set it and forget it system and is very easy to set up. I have never found it lifeless. It is very stable and has minimal resonances to add to what is on the record. I think most of the "lifeless" comments come from folks who have tables that "contribute" to the sound. Such contribution usually gives the table a euphonic sound that is quite pleasant. But it is not what is on the LP.
I suspect that the new 20/3 will be noticeably better than the 20/2. The new mat material is probably a signicant improvement and I think SME improved the power supply as well. Have not seen the HiFi News reviews.
Not to detract from the SME 20/2 with Graham Phantom, but I have one of Albert Porter's Technics SP 10 MK IIIs with completely restored and upgraded electronics and his plinth with an SME 312S arm. Best vinyl I have ever heard by a huge margin, it is actually close to true master tape sound on well-recorded, well mastered and well-pressed LPs. The 20/2 sound is similar but quite a bit less, which leads me to believe that it is not adding much if anything that is not on the LP.
Hope this helps.
Ed