Interesting thread. The quality of the vinyl and its composition would be my guess.
I have about 10 colored lps. The ones that are a solid color in my experience are generaly noisier. However I have 4 that are colored yet see through and they are very quiet and certainly more quiet than the original black versions. 3 of them are Japanese pressings so that maybe part of it as they were known for using better virgin vinyl.
I also have a pressing of Good Bye Yellow Brickroad that is a first pressing and a tri fold cover, pressed in England on the Dick James Music label (DJM) and distributed by pye records that at a glance appears black. When cleaning it and holding it up to the light it is actually deep purplish and quite see through. Best sounding copy I have had or heard.
For the most part I have to agree that they usually are noisier on colored vinyl. Anyone else notice a differance between the solid and translucent colored vinyl?
Cheers
I have about 10 colored lps. The ones that are a solid color in my experience are generaly noisier. However I have 4 that are colored yet see through and they are very quiet and certainly more quiet than the original black versions. 3 of them are Japanese pressings so that maybe part of it as they were known for using better virgin vinyl.
I also have a pressing of Good Bye Yellow Brickroad that is a first pressing and a tri fold cover, pressed in England on the Dick James Music label (DJM) and distributed by pye records that at a glance appears black. When cleaning it and holding it up to the light it is actually deep purplish and quite see through. Best sounding copy I have had or heard.
For the most part I have to agree that they usually are noisier on colored vinyl. Anyone else notice a differance between the solid and translucent colored vinyl?
Cheers