Dvorak Symphony No. 2 Classic records excellent


I am listening to Classic Records reissue of Dvorak 2nd symphony Monteux/ London Symphony Orch. It is excellent. It is the 200 grams issue and it is very quiet and dynamic. The best one I have heard so far! Classic is getting better. Highly recommended!! I am excited! This is the best lp I have heard in a while from Classic. This one and the Carmen/Faust. If they keep doing this, I will be very happy and so will many other analog lovers. Has anyone else heard this one and if so, how is the quality of yours? Any quality control stuff, bad pressings? Mine is excellent! The quietest and best sounding reissue! As I said, I am excited for anyone who loves vinyl if this is a preview of things to come.
tzh21y
I love the old originals but still like what I hear on this reissue. Most of the originals sound compressed and although the tone can be very nice on many of the originals, I find myself listening to more reissues than the older records lately. The Classic reissues are very good for the most part, there quality control is often lacking IME.

The newer Mobile Fidelity reissues are a different story. They sound very digital and forward. I prefer many of the originals to them.

The Chesky reissues are nice. They sound closer to the original and are more dynamic and quiet. Better quality vinyl as well. I like the Cheskys very much. I like the Cheskys much better than the Classics for the most part.

I do not like all of the Classics but many of them are pretty good and this one in particular is very quiet and dynamic. It sounds great. I am going to listen to it again and see if I hear what you are talking about.

As far as tone goes, I have never heard violins sound like they do on the old RCA's and Londons. I used to have season tickets to the orchestra. If I had to say what records actually sound closest to what I hear at the music hall, I would say the Living Presence Mercurys come the closest. Of course, I am not up on stage either, I was 12 rows from the pit in the center. The violins always sounded kind of dull and rolled off. They never sounded like they do on record or CD. They always sound overdone on record to my ears, but I don't mind it.
I agree with you on Mercury Living Presence. If you want to hear what really good reissues sound like, check out the Speakers Corner Mercurys. These are absolutely stunning.
I have been leery of speakers corners reissues. I got the Clemencic Conosrt reissue and it is not even close to the Harmonia Mundi original. I never bought another one after that. It is encouraging to hear this as I will try one. Which one do you like the best? How is the Respighi?
I was referring to the Dvorak when I was speaking about the lack of hardness. I am comparing other Classic reissues like the Reiner Sound and Tchaikovsky Violin Concerto with Heifetz. I like the Chesky Reiner Sound a lot better than the Classic. Scheherazade on Chesky is also better to my ears than the Classic. I have the 200 gram of Scheherazade. Maybe the 180 gram is better.

I wrote this thread because I have been quite critical of Classic in the past but this one just sounded better than any of the other 200 gram reissues I have heard.

As far as the older Living Stereo's I have purchased at the Flea Market, Ebay and the like are concerned about 95% of them sit on the shelves because they are not in good condition even though they can look like they have never been played. I have only found a handful good enough to listen to on a regular basis. I have had very bad luck with them. I have had better luck with the Londons. The Mercurys are always shot. I have one that I listen to and it is great, no doubt about it. I also had about fifty that I threw out or sit in the rack, they are just beat.

The Classics, although they sound different, for the most part are not terrible. I do get frustrated when I get records that skip the first time I play them and are noisier than they should be for $34.00. They need to get better at that. I guess the thing that frustrates most of us is that we know they could have been better. The potential is definitely there, we know it, we just cannot figure out why the engineers cannot figure it out. It will probably never happen unfortunately.
I'm going to pull out a few mentioned and have a listen...

to Kennyb...would you compare the Classic's LSC 1934 Reiner to the same's LSC 2374 RCA Bartok--Music for Strings,Percussion and Celesta/ Reiner?

and to all, yes, the London orange labels can be found cheap and sound lovely...yes, the yellow ones are bad

and to Tzh21y, EVERY Speakers Corner I've heard has
been fabulous....wonderful label...

and yes, the Mercury's are great, the originals, that is...their cheap series were pretty bad...you can tell an original if the color front wraps around partly to the back.

and yes, Tzh21y, many many many of those RCA's you mention are just trashed or sound horrible and not always the best buys when buying used...