What defines a good tonearm


I'm in the market for a very good tonearm as an upgrade from an SME 345 (309). Most of the tonearms I have used in the past are fixed bearing except for my Grace 704 unipivot. I dont have a problem with the "wobble" of a unipivot, and they seem the simplest to build, so if they are generally at least as good as a fixed pivot, why wouldnt everyone use a unipivot and put their efforts into developing easier vta, azimuth and vtf adjustments, and better arm materials. Or is there some inherent benefit to fixed pivot that makes them worth the extra effort to design and manufacture
manitunc
Stanwal,
That would also be Plato's ideal that we could all just sit around and have all this equipment available to audition and make our own decision. We dont. So another option is just to keep buying $4000 tonearms until we find one we like, but we will never know until we try them all, and then something new will come along. This thread was an attempt to narrow that focus down.
I am perfectly happy with the SME 345 I use now, and my system gives me the best sound I have ever heard. But I have to assume that it isnt the best sound available or even the best available for the amount of my investment. But since I am happy with the rest of my system, I was looking to upgrade my tonearm/cartridge starting with the tonearm.
And my premise is based on no two things ever being equal, so one must, by definition, be better than the other. Now, what is "better" is another question, but certainly there must be certain design parameters that are attempted for all tonearms, and each design accomplishes those goals differently than the other, with each having tradeoffs. My question is simply, which one comes closest to the ideal, mechanical and physical goal and why?
I repeat, there is no "best" arm. Attempting to judge sound quality by design parameters is impossible; what you are apparently searching for is a way to objectify a subjective judgement. If you like your present arm keep it until you hear something better or know why you are dissatisfied with it. Again your major premiss is wrong; there are not "certain design parameters that are attempted by all tonearms"; there is violent disagreement about pivot design, arm mass, straight line tracking vs pivoted and a myriad of other elements. There is a voluminous literature on all this that you can read at your leisure. The statement that if two things are different from each other then one must by definition be better is meaningless; the meaning of "better" will depend on external factors not defined. Ordinarily a million dollars is "better" than 10 gallons of water but not if you are lost in the desert.
Manitunc asked,
"My question is simply, which one comes closest to the ideal, mechanical and physical goal and why?"

A linear tracking arm, because it tracks the groove perfectly.
Bob
PHP143
If the first 100db suck, why continue?
I can only assume that you attended a school where the works of Aristotle still held pride of place.For most argument by definition is no longer valid.