VPI Tonearm connector wire and record tracking


I have found that the bend in the connector wire from the tonearm to the junction box has a MAJOR influence on the trackability of the tonearm. it has tons to do with how the stylus tracks or SKATES across the record. If this BEND is not in an optimum position (that changes all the time as the tonearm tracks across the record), it will dramatically affect how the arm/stylus tracks the record especially on the inner grooves. I find myself bending this wire back towards the platter as it will bend away away from the platter in time. Has anyone else made this observation? Is their anywhere else this wire could have been located to have lass impact on tracking? It is my observation that the arm would sound much better if this wire were located someplace else.
tzh21y
Like Strngreen, I own a Classic 3 JMW 10.5i arm. Mike at VPI has mentioned on several occassions that VPI doesn't really buy in to the mechanical AS device. As far as the tone arm wire is concerned, I would put a very small twist on it when connecting the Lenco connector to the connection block. Less is more.

In my particular case, my cartridge is a VPI Zephyr. Peter Ledermann believe in the mechanical AS device; Mike says VPI doesn't. However, Mike did advise me that as a "rough justice" test, if you see the cantilever assembly deflecting, you may need the AS mechanical device.

The OP makes the following statement about the tone arm wire:

"If this BEND is not in an optimum position (that changes all the time as the tonearm tracks across the record), it will dramatically affect how the arm/stylus tracks the record especially on the inner grooves. I find myself bending this wire back towards the platter as it will bend away away from the platter in time."

I have the following responses: First, there is no such thing as an "optimal position" for AS. The amount of AS force on a record and stylus varies all the time. I am not aware of any device that compensates for these variations. Also, as the VPI manual states, VPI does not believe that AS forces dramatically affect the sound of vinyl pkayback. Second, I am concerned that if you keep fiddling with the tone arm wire, either one or both of two things will happen: (1) you will damage the tone arm wire; and/or (2) you will go blind.

OK, seriously, I have a couple of suggestions. Double check the alignment, VTF, VTA and azimuth of your set up.

It is possible that if your cartridge/stylus combo is not compatible with the JMW arm, you may have trackability problems. Pay particular attention to VTF and azimuth!

You don't mention the type of cartridge you are using. Does it match well to the effective mass of the arm?

Also, in my experience, I found that certain cartridges just don't do very well with the unstabilized azimuth configuration of a uni-pivot.

If after checking the set up, you still have a problem, call Mike at VPI. He is incredibly helpful.

Good luck.

I think the I am just realizing the limitations of my table. I am getting used to listening to a friends which does no such thing. It is an amazing tracking table with a Mission Mechanic tonearm. I have not used my new cartridge on my current table as I am worried about it not tracking properly. Maybe my stylus is getting worn. It was tacking decent but I am afraid to put the Lyra on this arm. I find it hard to believe that I am just wearing out styluses this quickly. I put the glider on this spring, it sounded great, still does, just does not track the inner grooves like it used to. I am getting sibilance and tracking error on the extreme inner grooves. Maybe I need a gimbal arm
Tzh21y, if you checked all the specs I mentioned above, I would call Mike at VPI before throwing the towel in. The uni-pivot set-up can be a PITA, but when it works, it's great!! If you check my OPs, you will see that I suffered with the set up for quite a bit of time. I went through 3 different cartridges before settling on the Sound Smith VPI Zephyr. Another cartridge that works well is the Dynavector 20X2 M (specially designd for the VPI table). I'm sure there are many others.

I assume you've made a significant investment in your TT. Call Mike and see if he can help you.

Good luck
I agree completely with Bifwynne. As for MY setup, I do use a bit of anti-skate with the mechanical gizmo. I found the wire twisting technique not for me, since the springiness of the wire diminishes over time. Cartridge setup is a huge pain in the mule, but if carefully done correctly, the VPI is really a good arm. I found Benz, Dynas, and Soundsmith cartridges have the least problems with the arm, however, almost any cartridge can be accommodated. Mike at VPI is the go to guy to help with any problems. I am using a Benz LP-S which is one extraordinary cartridge. I hear things on my 40 year old records, I never heard before. For those that are interested, I had a Benz LP (original - not an S) that I traded into Musical Surroundings for the LP-S. The upgrade is HUGE.