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Why are modern arms so ugly?

OK.......you're going to say it's subjective and you really looove the look of modern tonearms?
But the great tonearms of the Golden Age are genuinely beautiful in the way that most Ferraris are generally agreed to be beautiful.
Look at the Fidelity Research FR-64s and FR-66s? Look at the SAEC 308 series and the SAEC 407/23? Look at the Micro Seiki MA-505? Even the still audacious Dynavector DV-505/507?
But as an architect who's lifetime has revolved around aesthetics.......I am genuinely offended by the design of most modern arms. And don't give me the old chestnut....'Form follows Function' as a rational for ugliness. These current 'monsters' will never become 'Classics' no matter how many 'rave reviews' they might temporarily assemble.
128x128halcro
nandric's avatar
nandric
4,086 posts
 
Hi Hifihvn, Yes you are right Schwazenegger is a typical
Slavic name. But regarding the accent you are wrong. All my relatives speak English with the BBC accent, not German accent. And those in Austria and Germany speak hochdeutsch.

Regards,
halcro's avatar
halcro OP
2,664 posts
 
The 'S' shaped arms are not a necessary factor for beautiful design.
Look at the DaVinci 12" Ref Grandezza and the Shroeder arms?
I think Dover nailed it with the current fad for 'complexity'.....the perceived 'need' to alter parameters 'on-the-fly'.
The Triplanar and then the VPI JMW Memorial arms initiated the principle of the separate support tower off which the actual bearing and arm could be attached. This principle has largely been adopted by the Reed and Talea and even the Cobra (although strangely enough.....not the Copperhead?)
As Dover questioned.......do these 'user-friendly' functions actually improve the sonic performance of the arms?
dougdeacon
3,338 posts
 
There's little question that such user-friendly functions can improve the sonic performance of an arm in the areas they're designed to address. For example, VTA/SRA on-the-fly makes it possible to optimize those parameters very quickly and the results are clearly audible (at least to me).

Notwithstanding that, there is probably also a sonic penalty from hanging additional bits off the arm. Every piece of material is a potential resonance trap that may color the arm and/or raise its sound floor.

It's a two-edged sword, no simple answers.
thuchan
1,009 posts
 
I have seen nice images of the new DaVinci Masters Reference Virtu tonearm with a flexible SME shell. Not ugly at all !

best @ fun only
tbg
5,263 posts
 
Halcro, the Ikeda Sound Labs IT-407CR1 Long Tonearm.
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