Thanks Banquo,
I think my whole TT-101 is in amazing condition.
I counted up in the manual.....and there are 90 capacitors and my Tech replaced them all.......
He said that when he removed all the old solder joints.....there was so much black smoke in his workshop...that his wife thought the place was on fire :^)
He seems to have done a great job of re-building the deck...and he is young, talented and thorough....so it bodes well for the future?
Perhaps we aren't living dangerously...as long as there are good Techs around?
I didn't have the bearing re-lubed as the manual says it is sealed and never needs it. The platter turns so freely and is totally noiseless.....so if it ain't broke....?
Antonis' sprung bases appear to be 1" thick granite slabs with stainless steel and/or aluminium sheets laminated top and bottom in an attempt at creating Constrained Layer Damping.....however, I think he may have erred in his understanding of the principles?
Had he placed the aluminium sheet between two slabs of 1/2" granite with joint adhesive of viscoelastic consistency.....it may perform better.
Alternatively a material like plywood between the granite sheets seems a better choice as metal sheeting shares many of the same acoustic properties of stone?
The supports for his TT-81 and for the tonearm pods are solid stainless steel rods but the interesting choice appears to be that of the turntable supporting ring which I simply can't make out?
I'll have to ask him.....
I'm sure it sounds fabulous and he seems to confirm that at the first few listens....
I think my whole TT-101 is in amazing condition.
I counted up in the manual.....and there are 90 capacitors and my Tech replaced them all.......
He said that when he removed all the old solder joints.....there was so much black smoke in his workshop...that his wife thought the place was on fire :^)
He seems to have done a great job of re-building the deck...and he is young, talented and thorough....so it bodes well for the future?
Perhaps we aren't living dangerously...as long as there are good Techs around?
I didn't have the bearing re-lubed as the manual says it is sealed and never needs it. The platter turns so freely and is totally noiseless.....so if it ain't broke....?
Antonis' sprung bases appear to be 1" thick granite slabs with stainless steel and/or aluminium sheets laminated top and bottom in an attempt at creating Constrained Layer Damping.....however, I think he may have erred in his understanding of the principles?
Had he placed the aluminium sheet between two slabs of 1/2" granite with joint adhesive of viscoelastic consistency.....it may perform better.
Alternatively a material like plywood between the granite sheets seems a better choice as metal sheeting shares many of the same acoustic properties of stone?
The supports for his TT-81 and for the tonearm pods are solid stainless steel rods but the interesting choice appears to be that of the turntable supporting ring which I simply can't make out?
I'll have to ask him.....
I'm sure it sounds fabulous and he seems to confirm that at the first few listens....