Regards, Hiho: A TT71? Guilty. Picked up for little more than pocket change several years ago just to fiddle around with. A hard maple plinth & EPA-250 tonearm. Swapped around some mats (the OEM mat is terrible) & ended up with a Boston Audio Mat2. The basket shrouding the electronics rings, so strapped a couple of bungee cords around it. Cyro'd bungees are in short supply, used what was available. Bluejeans brand entry-level low capacitance cables & some Isonoe feet at the corners. Pulled the Pio. Exclusive PL-70L 11 & then sat for a semi-serious listen.
The little 71 lacks the ability to capture micro detail but is engaging and involving, I like your reference to flavors and colors :). You mentioned Raul; the gentleman also sampled the TT71 and actually praised it, I believe he used it "nude".
No Timeline available but out of curiosity the 71 was timed for eighteen minutes. From a cold start it immediately advanced a nominal four degrees and then remained spot on for the remainder. It's been a while since researching but IIRC the 71 lacks the reverse eddy current braking both the 81 and 101 implement in regulating overshoot incurred when correcting for speed. Other than the coreless motor, the only other difference for the 81/101 is the readout for the 101 is digital, the 81 is equipped with a strobe.
Just an enthusiast, I find critical listening a distraction. I've not read a negative comment concerning either the TT81 or 101, JVC seems to have gotten the series right. Of this I am certain, in spite of, or perhaps because of, the resonant character of the modest 71 it is somehow a captivating performer. Some day I'll return to the PL-70L 11 with it's "stable hanging rotor" drive and exquisitely engineered PA-70 tonearm and then experience a revelation as to what I've been missing.
In reference to Halcro's OP, among others I've a Tech. SP-15 which I expect to someday start spinning like a gyroscope and a Denon DP-60L (a carnival of resonances) with it's fragile magnetic tape attached to the platter.
Pardon the lack of references, corrections to any of the above are welcome.
Peace,
The little 71 lacks the ability to capture micro detail but is engaging and involving, I like your reference to flavors and colors :). You mentioned Raul; the gentleman also sampled the TT71 and actually praised it, I believe he used it "nude".
No Timeline available but out of curiosity the 71 was timed for eighteen minutes. From a cold start it immediately advanced a nominal four degrees and then remained spot on for the remainder. It's been a while since researching but IIRC the 71 lacks the reverse eddy current braking both the 81 and 101 implement in regulating overshoot incurred when correcting for speed. Other than the coreless motor, the only other difference for the 81/101 is the readout for the 101 is digital, the 81 is equipped with a strobe.
Just an enthusiast, I find critical listening a distraction. I've not read a negative comment concerning either the TT81 or 101, JVC seems to have gotten the series right. Of this I am certain, in spite of, or perhaps because of, the resonant character of the modest 71 it is somehow a captivating performer. Some day I'll return to the PL-70L 11 with it's "stable hanging rotor" drive and exquisitely engineered PA-70 tonearm and then experience a revelation as to what I've been missing.
In reference to Halcro's OP, among others I've a Tech. SP-15 which I expect to someday start spinning like a gyroscope and a Denon DP-60L (a carnival of resonances) with it's fragile magnetic tape attached to the platter.
Pardon the lack of references, corrections to any of the above are welcome.
Peace,