Thanks for the Link Hiho...π
Very interesting.....and nice music as well...πΆ
I have seen that done before...as well as two Micro Seiki turntables running in line....using the one motor and a flywheel arrangement..π
I studied this arrangement shown in the video for a long time.....whilst being somewhat troubled π§ without knowing exactly why......βοΈ
(Answer to the puzzle at the bottom of the page...π)
This video demonstrates clearly how much 'thinking' some Japanese (and European) audiophiles put into the theory and philosophy of the turntable question...ππΌππ‘π
I love his obvious 'Copernican' view of the turntable surrounded by massive armpods π....and the 20" straight tonearm is fabulous...ππ
He obviously prefers the ability to eliminate skating forces (no off-set angle on the headshell)....for the slightly increased distortion of 'tracking error'...βοΈ
I wish I could see how he runs the thread from the heavy stainless steel platter mat on the Victor DD turntable πβThat is one massive 'pulley motor' π
Notice also his full horn speaker system....ππ....obviously being powered by SET valve amps (although we don't see them π°).
Answer to puzzle
The advantage of the very best DD turntables over belt-drives IMO....is their ability to cope with 'stylus drag' due to their torque and correction circuitries.
With the quartz-controlled motor attached to the platter and in close proximity to the stylus....any slowing of the speed due to 'stylus drag' is instantaneously corrected AT THE SOURCE..π
When the stylus is separated from the correction circuitry by a thread a metre or more away.......the 'stylus drag' has a 'delayed' input which simply puts the quartz control 'out of sync'....π°