Vintage DD turntables. Are we living dangerously?


I have just acquired a 32 year old JVC/Victor TT-101 DD turntable after having its lesser brother, the TT-81 for the last year.
TT-101
This is one of the great DD designs made at a time when the giant Japanese electronics companies like Technics, Denon, JVC/Victor and Pioneer could pour millions of dollars into 'flagship' models to 'enhance' their lower range models which often sold in the millions.
Because of their complexity however.......if they malfunction.....parts are 'unobtanium'....and they often cannot be repaired.
128x128halcro
I have noticed that some of the members here had experience witn Lenco and other idler wheels as well and was wondering what was your impression of the results compared to a DD in a heavy plinth.
My experience is limited to a friend's JN Reference with Analogue Instruments, 12" Cocobolo, Uni-pivot tonearm and various cartridges (SAE 1000 LT, Koetsu Black, low output Elac).
On the plus side:This combo had very good flow and sounded very smooth.
On the negative side: noise floor was high, which made dynamic contrasts lacking. Air, 3D and detail were missing.
A while ago, 3 audiophiles from Canada conducted a "Lenco Challenge": building a CNC machined, heavy birch plywood plinth for a donated Lenco drive, greasing the bearing and following The Lenco Heaven instructions.
Results were not super positive when compared to modern tt's like DD Brinkmann Bardo for instance:
http://www.canuckaudiomart.com/forum/viewtopic.php?f=32&t=28246&hilit=lenco+project+brinkmann&start=285

I was wondering what was your experience?
I personally use other peoples' opinions only in the grossest way, as a guide to what I might NOT like. Which is why I usually don't even ask. This is because my brain already knows what it wants, and I've already spent decades taking my brain to where it wants to be. I own a Lenco in a slate plinth with a "PTP" top plate (see Lenco Heaven). The OEM bearing is completely replaced by a "Jeremy" Superbearing (see also Lenco Heaven). The platter is stock, but it has been dampened. The idler wheel and idler arm are stock, but I have replaced a spring that loads the idler assembly with a lead weight on a string. This was the idea of Jean Nantais, possibly one of the Canadians to whom you refer. I have a Dynavector DV505 mounted on the slate. The AC comes from a Walker Precision Motor Controller. This combo gives me great pleasure, plenty of "air", dynamics, 3D-ness, whatever. It may be a hair less super accurate on timing, compared to my Technics SP10 Mk3 and Kenwood L07D, but if you don't compare it to those two every day, you don't worry about it or notice a problem. It definitely crushes the prior turntable, a Notts Hyperspace, in terms of timing, but I thought the Notts crushed the SOTA I owned before that, especially on piano music. You mentioned noise; I hear zero issues with noise, but again the Mk3 and the Kenwood (especially) may be a hair quieter. No idler noise that I can hear whilst sitting in my listening chair at normal (loud-ish) sound pressure levels. I think (very tentatively) that the slate plinth is superior to the Nantais plinth Lenco I owned prior to embarking on the slate project, less noise by a tad.

Sorry to all. I think I wrote much the same post only a few days ago up the page.
Lewn,
Glad to hear again that the Kenwood L07D is the protagonist on your stage. Proves the superiority of the maglev spindle over other designs. Without having not heard your system I do believe your evaluation 100 % and would agree because I have experienced the benefits of my maglev.
In my system I will never even think of trying a non-magnetic spindles. In my system I have managed to get rid of all the direct rim noise just recently, the adjustment is really a hair less.
Thanks for confirming this essential info about the Kenwood L07D, again.
Hi and thanks for the thorough response!
What I meant by noise is not audible noise as much as high noise floor or lack of pitch black background which hurts the 3D and the dynamic contrast and gives you a sense of flatness to the sound.
It is still amazing that with 4 pole (!) motor, 50-60 dB S/N and wow and flutter at 0.6% one gets results that are not far off DD's with 75 dB S/N, core-less motor and 0.02% wow and flutter.
A lot of isolation, superior bearing and better platter, somewhat reminiscent of the EMT 927 and 930 idlers, I assume.
The one thing that these idlers have in spades is torque (which translates to drive, a sense of flow and PRAT) but my question is:
How much torque do you really need?
If you manage to overcome cartridge drag on transients with ease do you need the extra torque?
Does a Technics with 16kg cm sound more convincing than a TT-101 with 1.3 kg cm?
Lewm, I agree with you that opinions are just that, opinions.
At the end each of us have different reference points and preferences and what appeals to one person might not appeal to other.
I remember having a discussion with a guy who was very opinionated about things audio. He talked about turntables, about building his own record cleaning machine, about soundstage and audio preferences.
When he visited me and heard my system he said that the midrange intimacy and concentrated sound was too much to bear.
When I visited him I saw two Kef mini-monitors the size of Bose AM-5 located on the sides of a plasma TV with 1,600 watts SVS sub.
Basically a Bose sound - bloated bass and two tweeters with no midrange to be found. This is just to show you how amazingly subjective this hobby is. Who am I to judge? To each his own.
Many audiophiles will look at my gear and will say to themselves that its mediocre and that's fine with me. In the end its about pleasing our heart and not about convincing others that our sound is great.
I believe that with this understanding, when it comes to opinions, one can judge a differential (one item compared to another when all other parameters are the same).
Based on what I read between the lines, it seems that to make an idler wheel work one needs a heroic effort: see EMT 927 with its industrial washing machine sized motor and steam train flywheel sized platter and EMT themselves moved to DD once they could (once torque was sufficient to start a song in less than half a second when broadcasting).
Harold, You are welcome to dissect the wonderfulness of the L07D and attribute that quality to magnetic levitation of the platter, but I think that misses the point. IMO, the L07D is transcendent because in its design every aspect of construction and function was considered and addressed in one single product, from plinth to headshell. One may quibble here and there with some of the choices that were made, but there is no denying that the L07D's excellence is the product of its "whole-ocity", if Harvey Rosenberg will forgive me for borrowing his parlance.

Doron, I have never seen in person an EMT927, but in my mind the EMT927 and the Lenco L75 are at opposite ends of a spectrum; the Lenco is on the "less is more" end of the spectrum, and the EMT is on the "more is more" end of the same spectrum. The business of torque is a mystery to me, because there is to some degree a correlation between torque and performance for dd and idler tt's (leaving belt-drive out of the discussion), but with some exceptions. The Lenco has a physically large and powerful motor, but the torque that can be delivered to the platter is always limited by the coefficient of friction between the idler wheel and the platter surface that is in contact with the idler wheel. In a Lenco, that contact patch must be small, because there was a negative trade-off to using a wide idler wheel, as is typical for idlers that drive the inside rim of the platter or the outside edge; a wide contact patch would cause "scrubbing" in a Lenco, between the idler wheel which "wants" to go in a straight line and the platter, which must rotate in an arc. So, the torque of a Lenco is truncated by the force required for the wheel to dissociate from the underside of the platter and skid. If you grab the platter, you can feel that happening well before the motor comes to a stop.