Phono stage help

Rodman, sounds reasonable. So you don't think that the Westwood upgrade is worth it then? I guess what I am trying to determine is if I should keep my GFP. If I keep the GCPH, would you agree that I do not need it? Does it add something, is there a reason that I should keep it if I decide to keep my GCPH?

Largely; the answer(re: the GFP) would depend on the output of your cartridge. There is only so much gain available(60/66dB), with the GCPH. If you are using a very low output moving coil; there may not be enough voltage, at the GCPH's output, to drive your power amp to satisfying levels. If you already own the power amp that you intend to use: give it a try now.

Another one around those same price points is the Sutherland 20/20. Only prior expereince with phono pre's was the onboard phono stage in a Luxman integrated. Difference and improvement was well worth the investment.

good luck with your choice

Keith

I am using the GFP in passive mode because it was too noisy in active. I have a Shelter 501 and have the GCPH set at 60dB, so I could even go higher. In passive mode, is the GFP adding anything/is there any reason to keep it? Also, I currently own an A21 amp, which I would like to upgrade one day to a VK-250. I guess I have to try out the GCPH directly hooked up to the amp. As far as the Sutherland goes, I have considered it as well, but the problem is, that if I get rid of my GFP, I will need to find a phono stage with a volume control.

The Shelter has .5mV of output, which may be enough, depending on your need for volume, the efficiency of your speakers, room size, and the levels at which your vinyls are recorded(which vary widely). note: One of the noticeable benefits of the mentioned upgrades, is an increase in dynamics. Happy experimenting! BTW: what cables are you using?