2. analog
  3. 1333217309

How will you split $3000 between phono and cart ?

A jittery situation:
I am looking to buy a phonostage cartridge combination. Budget is $3k for both. I can buy preowned phonostage but cartridge has to be new. TT is a Nouvelle Platine Verdier and tonearm is SME 3012 S2.

Now, I can either go ahead and buy a very good phonostage and a entry-mid level MC cartridge or I buy a very good cartridge and a decent entry-mid level phono. I have listed the possible options:

Option 1:
Choose any of these phonostages:
1. Naim Superline - $2300
2. ZYX Artisan - $2000 (used)
3. 47 labs phonocube - $2500 (used)

Choose any of these cartridges:
1. Ortofon Rondo Red
2. Ortofon 2M Black
3. ZYX R50 Bloom
4. Sumiko Blue point Evo III

Option 2:
Choose any of these phonostages:
1. Lehmann Audio Black Cube SE ($1100)
2. Trigon Advance ($1300)
3. Ray Samuels Nighthawk ($1000)
4. PS Audio GCPH ($1200)

Choose any of these cartridges:
1. ZYX R100 Yatra
2. Ortofon Cadenza Red
3. 47 Labs McBee

You may suggest a combination that is not in this list. I would be happy to research it further. The situation is I have to compromise somewhere, but where ? My TT experience is very limited so is my exposure to analog gears so please help with your experience and suggest what would you pick if you were me.
pani
photon46
1,082 posts
 
Yes the retail price is $3k, but if you call Mehran at Sorasound in San Francisco, Ca., he might be able to help you with a demo piece. Sometimes, depending on circumstances, some latitude in pricing might be possible. He's a very nice guy and is a great resource for vinyl hardware. I've only seen one for sale used over the years here on Audiogon, so it seems most folks who buy them hang on to them. If the RCM proves not to be option, I'm sure a demo/used Parasound phono stage will pop up for sale and make you very happy.

I've not heard the Naim Superline. As to the ZYX R50 vs. Denon, I can't help you. I'll confess that I'm not that much of a fan of the Denon cartridges I've heard. Right now, the main cartridge I'm using is an Ortofon Kontrapunkt H and will upgrade to a Cadenza black in the future. I could see how someone might prefer a slight bit of additional warmth in the RCM if the rest of the vinyl chain, audio system, or room had any tendency to brightness. I find the RCM a quite neutral conduit. I like the idea of a transparent phono stage and adding needed warmth though your choice of cartridge.
mulveling's avatar
mulveling
1,895 posts
 
Get the GCPH and Cadenza Red. Both sound extremely good; I've had both the GCPH and the predecessor Ortofon Kontrapunkt ("a" and "c") in my system, and have fond memories of them. I've also extensively heard the 2M Black, which is an awesome cart - but the Cadenza/Kontrapunkt is better if your phono stage can handle a low-MC, and the GCPH surely can. The Kontrapunkt/Cadenza line is fantastically musical; my hangup on the higher-end Jubilee/Windfeld is that they're too analytical...and kinda bright.

I'm also a tube fanatic, and I'm not sure you're going to significantly outperform the GCPH without spending much more money OR stepping up to tubes.
dhcod
710 posts
 
To deviate from the list a bit, I'd go ASR Mini Basis, used, and Lyra Delos new.
roscoeiii's avatar
roscoeiii
1,155 posts
 
I will suggest the synergy of a Dynavector XX-2 Mk II and the Dynavector P75 Mk II phono stage. You get the added advantage of a low impedance LOMC cart that takes full advantage of the P75's Phono Enhancer (PE mode). Love the combo in my system (with a Mk I P75 and a SoundSmith rebuilt XX-2).
inna
7,296 posts
 
I would probably get Lyra cartridge and whatever phono within your budget works best with it. And you do want excellent dynamics, without it there is no good sound.
More to discover