I would just get a Shure mechanical one; I have found the digital ones unreliable and prone to failure. Some quite good arms did not have the anti skate calibrated correctly; the Grace 707 provided twice the necessary force if I remember. I would start with the minimum and slowly increase it if you think it necessary. Most of the time I use none at all; I have never even installed the AS part of my Graham 2.2. No matter where you set it it will be wrong for most of the record anyway.
Anti-Skate dial-How to set it? + a bonus question
I bought a Hitachi SP-15 TT at a tag sale which also had a decent cartridge (Signet AMS-10 a MM). It has an Anti- Skate dial numbered 0-5. I am used to the little dangling wieght in tables from this era. Does anyone know where I should set it to, assume normal conditions.
Question 2. I have no tracking force scale either. With this issue I tried a couple of positions and settled on what seems like a light force. It yields the best details and creates the best soundstage.Will I miss out on something by keeping it on the light side?
My "bonus" question is- Do any of you change the downward force for a specific album or song to improve the sonics? Even if only once in a while it seems to make a big difference.
Question 2. I have no tracking force scale either. With this issue I tried a couple of positions and settled on what seems like a light force. It yields the best details and creates the best soundstage.Will I miss out on something by keeping it on the light side?
My "bonus" question is- Do any of you change the downward force for a specific album or song to improve the sonics? Even if only once in a while it seems to make a big difference.
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- 18 posts total
- 18 posts total