Aesthetix IO Eclipse


Hi,

I'm seriously considering this Phono preamp (with the additional line input and volume control), and would like to get in contact with potenial owners of the IO-series from Aesthetix. I believe the IO is what I'm looking for sonically (and I love the design and user experience). But, I'm slightly concerned about earlier reports of noise/hum issues, as well as riability and the practical side of things related to tube life and generated heat.

So....

- Is the IO Eclipse (still) up there among the best on the market?
- Will the possibility of driving a poweramp directly offer any disadvantages, or be as good as or better than a separate preamp of the same caliber?
- Are the tubes worth the expense, effort and potential hassle...?

What I'm looking for is a high degree of naturalness, musicality and flow combined with great dynamics and a large, holographic soundstage.

My system:

Brinkmann Bardo + 10.5 tonearm + Pi-pickup (Analog)
Audio Aero La Fontaine (CD/DAC/Pre)
Karan KA M2000 (Monoblocks)
Sonus Faber Futura (Speakers)
Kubala Sosna Elation (Cables)

Thanks!
128x128sidekick_i
Well, personally, I'm not very interested in turning a high end investment into a DIY-project. I prefer to put my trust in Jim White (Aesthetix :)
I disagree with Linnlp12 regarding the volume controls. Unless you already have a *very* good preamp, I see little reason to cash out for the Io unless it has volume and the extra line input. That means if functions as a preamp. With a DAC connected to the line input, you can have several sources connected to the DAC, and switch between them on the DAC. This way you can do without a separate preamp. Several users have reported that the direct link from the Io to the amp(s) sounds great. This is my experience also, not least from the extra input, which seems to have even lower distortion than the riaa/phono input.
Whoever had the Io Sig. and then sold it, def. is an audiophile. The Io is one of the best phono stages out there. Its imaging, texture, and dynamics are first rate. If you love chamber classical and jazz quartets you are in for a real treat. It is a music lovers dream. You still need great table, arm, and cartridge properly set up to get its maximum potential.
After much research and soul searching during the last couple of months, I'm going to make a final decision this weekend, where the final battle stands inbetween the discussed IO Eclipse and the Pass Labs XP-25.

In the right corner:

Aesthetix IO Eclipse with dual power supplies

+ the beauty of tubes
+ superior build quality and aesthetics (IMHO)
+ additional line input (for a digital source) making it a fully functional preamp (which in the end almost justifies the price...)

- twice as expensive as the Pass
- large boxes - 3 in total
- a LOT of tubes, which means a lot of heat and potential sources of hum and/or failure

...and in the left corner:

Pass Labs XP-25

+ half price compared to the Aesthetix
+ less (and smaller) boxes - 2 in total
+ less heat and less potential problems...

- no additional line input (which means you'll need a dedicated preamp for a digital source)

Your advice please.

Many thanks.

Aesthetix IO Eclipse with dual power supplies

Pass Labs XP-25

Your advice please.

Well, to be honest, those 2 Designs have absolutely nothing in common and are
2 totally different sounding reproduction designs.
When you think about those 2, you have absolutely no idea from anything but
you want to be accepted - based on their price tags - as a 'serious' Audiophile
:-). It is like rolling a dice for you. How about Parasound JC3 from Curl instead
of the Pass?
Roll it and have fun.