Dear DHL, The late Allen Wright told me much the same thing about the scarcity of high quality discrete transistors that he experienced in building his two phono stages, FPV and RTP. I was implementing a hybrid dual differential cascode input stage in my own phono stage, and AW advised me to try the MAT02 bipolar for the bottom active element in the cascode. With some effort I finally found some, and I bought a bunch, just in case. But when I asked AW why he was not using that part in the RTP3C (or whatever), he said he could not afford to risk it because of the difficulty in obtaining a stockpile for production and future repairs. The MAT02 had already been discontinued at that time. As I understand it opamps and other ICs are also constantly being discontinued in favor of newer types that offer some real or imagined advantage.
Active FETs vs. Step-up phono stage designs
I've noticed quite a few threads on A-gon discussing step-up transformers recently, and it got me thinking of the different applications in the phono stage design. I'm curious of the advantages and disadvantages of designs that employ step-up transformers vs. active designs with FETs, especially in tube preamps. Examples would be the new Manley Chinook vs. the Rogue Audio Ares with its custom Cinemag transformers, or the highly-regarded Andros, which also went the step-up route. I'm thinking of upgrading my solid stage phono preamp in the near future, and would like to hear your opinions (and I know we have a few designers posting regularly) regarding this subject.
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- 22 posts total
- 22 posts total