Another 5 hours today, and that's it! I'm totally sold on the ESCO modded Zu 103. Re my ESCO modded Transfiguration Orpheus (the only way to breath life into my extinct, once-reference cart): other than maybe a draw on soundstage grounds, the modded Zu totally blows away it's more illustrious (and 4x pricier) rival.
I'm getting tonality in spades, even handed dynamics, delicacy AND slam, superlative tracking and rejection of surface noise. What I'm finding fascinating is that Zu really are the Kings Of Tone - their Definitions4 spkrs that I own were voiced with their modded 103, so the two most critical transducers in an analogue system (cart and spkrs) really seem to speak of one voice.
The ESCO mod (Paratrace stylus and white sapphire cantilever) is replacing what was a tendency to stridency in the higher frequencies with the stock Zu 103, with a sweetness that is truly beguiling. This is more than compensating for maybe a smidgeon less urgency in the sound, a most acceptable trade off.
So, 2 days' listening has got me back in the Zu 103 fold fully, and terminated my fledgling interest in the Straingauge. Now my journey is going to take me to investigating upgrading my Tom Evans Audio Design Groove Plus SRX phono stage with Tom's flagship Mastergroove.
I'm getting tonality in spades, even handed dynamics, delicacy AND slam, superlative tracking and rejection of surface noise. What I'm finding fascinating is that Zu really are the Kings Of Tone - their Definitions4 spkrs that I own were voiced with their modded 103, so the two most critical transducers in an analogue system (cart and spkrs) really seem to speak of one voice.
The ESCO mod (Paratrace stylus and white sapphire cantilever) is replacing what was a tendency to stridency in the higher frequencies with the stock Zu 103, with a sweetness that is truly beguiling. This is more than compensating for maybe a smidgeon less urgency in the sound, a most acceptable trade off.
So, 2 days' listening has got me back in the Zu 103 fold fully, and terminated my fledgling interest in the Straingauge. Now my journey is going to take me to investigating upgrading my Tom Evans Audio Design Groove Plus SRX phono stage with Tom's flagship Mastergroove.